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Beskrivning
Political firebrand, tireless reformer, champion of the avant-garde, Octave Mirbeau embraced his role as disturber of the peace. Inspired by Kropotkin and Dostoyevsky, Mirbeau became the social conscience of the era, speaking in a clear voice to impugn capitalist ideology, to defend the cause of the worker, the child, the pauper, the prostitute, and the soldier sacrificed as cannon fodder.Mirbeau’s critiques of society seethe with indictments of indoctrinating agencies: the family, which stifled the child’s freedom and expressive creativity, the school, which besotted students with the aridity of its curriculum, the army, which privileged patriotism over the sanctity of life, the church, which sanctified suffering, perverted instinct, and alienated the faithful from nature. Yet Mirbeau shared the admiration of fin-de-siècle zealots for the pariahs, tramps, and beggars rehabilitated in the Scripture. The personal trials of the misbegotten became an insignia of election. Those marginalized by society experienced damnation here below yet had glimpses of the bliss they hoped might await them somewhere higher. Yet it was not just in the less fortunate that Mirbeau sought evidence of the supra-rational. Generally neglected by critics, Mirbeau’s interest in the unknown and the inexpressible informed virtually all of his writing and helped shape his views on artistic work and political struggle. For this reason, this study sets out to analyze the spiritual politics of the author. As Mirbeau was becoming involved in the escalating controversy over the Dreyfus case and cementing his alliance with prominent anarchists, he was also undergoing a uniquely personal spiritual evolution. This volume breaks new ground, exploring the author’s secular metaphysic, charting his investigation of the spiritually transfiguring experience that redeems man’s desolate existence. What begins as Mirbeau’s indictment of Catholicism’s death-glorifying ethos, his attempt to find refuge from life’s pain in the blessedness of Nirvana, becomes a pursuit of mystical diffusion into the community of others. Showing how Mirbeau controverts the existence of a Christian god, this study argues that Mirbeau never abandons his exploration of life’s mysteries, apprehensions of the infinite that come from a refinement of his art and an identification with his brothers.
Recensioner i media
Companion to Ziegler’s The Nothing Machine (2007)—which describes the 19th-century journalist, novelist, and public intellectual Octave Mirbeau’s solidarity with social outsiders such as the Impressionist painters, Alfred Dreyfus, and Oscar Wilde—the present volume scrutinizes Mirbeau's more personal impulses: his overlooked spiritual yearnings, his interest in mystery, and his search for the transcendental. Ziegler devotes chapters to various eras of Mirbeau’s literary production, from his early autobiographical novels and his unfinished manuscript Dans le ciel to his anti-Christian novels (Jardin des supplices and Journal d’une femme de chambre) and his later fiction on cars, pets, and neurasthenia. Ziegler explores Mirbeau’s desire to forgive, to express the ineffable, and to 'experience the ecstasy induced by speed, disorientation, novelty, leave-taking, and ego disintegration,' to quote from the introduction. A chronicle of several touchstone events, both political and creative, that shaped the French fin-de-siècle, this original, well-crafted study targets Mirbeau's aspirations of social justice as it traces his personal and professional shift from combative nihilism to spiritual equilibrium. Summing Up: Recommended. Upper-division undergraduates and above.
