Richard Heath is a development engineer with degrees in systems science and computer-aided design. His interest in megalithic astronomy and metrology has resulted in 4 books, including Sacred Number and the Origins of Civilization. He lives near Cardigan, Wales.

“We have long known, thanks to Ernest McClain, that the ancients were obsessed with harmonic numbers and that the Bible encodes these from beginning to end. Now new evidence appears, as these numbers correlate with the planetary periods, and their discovery is pushed far back into the prehistoric era. Richard Heath’s work, based not on speculation but on objective data, challenges all accepted notions of cultural evolution and religious origins.”

• Preface Introduction: The Significance of Planetary Harmony PART 1 RECOVERING LOST KNOWLEDGE OF THE WORLD SOUL 1 Climbing the Harmonic Mountain 2 Heroic Gods of the Tritone 3 YHWH Rejects the Gods 4 Plato’s Dilemma PART 2 A COSMICALLY CREATIVE HARMONY 5 The Quest for Apollo’s Lyre 6 Life on the Mountain PART 3 THE WAR IN HEAVEN 7 Gilgamesh Kills the Stone Men 8 Quetzalcoatl’s Brave New World 9 YHWH’s Matrix of Creation 10 The Abrahamic Incarnation Postscript: Intelligent Star Systems APPENDIX 1 Astronomical Periods and Their Matrix Equivalents APPENDIX 2 Ancient Use of Tone Circles Reunification of Tuning by Number with Tuning by Ear through Reason and Visual Symmetry Notes Bibliography Index

Richard Heath is a development engineer with degrees in systems science and computer-aided design. His interest in megalithic astronomy and metrology has resulted in 4 books, including Sacred Number and the Origins of Civilization. He lives near Cardigan, Wales.

“We have long known, thanks to Ernest McClain, that the ancients were obsessed with harmonic numbers and that the Bible encodes these from beginning to end. Now new evidence appears, as these numbers correlate with the planetary periods, and their discovery is pushed far back into the prehistoric era. Richard Heath’s work, based not on speculation but on objective data, challenges all accepted notions of cultural evolution and religious origins.”

• Preface Introduction: The Significance of Planetary Harmony PART 1 RECOVERING LOST KNOWLEDGE OF THE WORLD SOUL 1 Climbing the Harmonic Mountain 2 Heroic Gods of the Tritone 3 YHWH Rejects the Gods 4 Plato’s Dilemma PART 2 A COSMICALLY CREATIVE HARMONY 5 The Quest for Apollo’s Lyre 6 Life on the Mountain PART 3 THE WAR IN HEAVEN 7 Gilgamesh Kills the Stone Men 8 Quetzalcoatl’s Brave New World 9 YHWH’s Matrix of Creation 10 The Abrahamic Incarnation Postscript: Intelligent Star Systems APPENDIX 1 Astronomical Periods and Their Matrix Equivalents APPENDIX 2 Ancient Use of Tone Circles Reunification of Tuning by Number with Tuning by Ear through Reason and Visual Symmetry Notes Bibliography Index

Richard Heath is a development engineer with degrees in systems science and computer-aided design. His interest in megalithic astronomy and metrology has resulted in 4 books, including Sacred Number and the Origins of Civilization. He lives near Cardigan, Wales.

“We have long known, thanks to Ernest McClain, that the ancients were obsessed with harmonic numbers and that the Bible encodes these from beginning to end. Now new evidence appears, as these numbers correlate with the planetary periods, and their discovery is pushed far back into the prehistoric era. Richard Heath’s work, based not on speculation but on objective data, challenges all accepted notions of cultural evolution and religious origins.”

• Preface Introduction: The Significance of Planetary Harmony PART 1 RECOVERING LOST KNOWLEDGE OF THE WORLD SOUL 1 Climbing the Harmonic Mountain 2 Heroic Gods of the Tritone 3 YHWH Rejects the Gods 4 Plato’s Dilemma PART 2 A COSMICALLY CREATIVE HARMONY 5 The Quest for Apollo’s Lyre 6 Life on the Mountain PART 3 THE WAR IN HEAVEN 7 Gilgamesh Kills the Stone Men 8 Quetzalcoatl’s Brave New World 9 YHWH’s Matrix of Creation 10 The Abrahamic Incarnation Postscript: Intelligent Star Systems APPENDIX 1 Astronomical Periods and Their Matrix Equivalents APPENDIX 2 Ancient Use of Tone Circles Reunification of Tuning by Number with Tuning by Ear through Reason and Visual Symmetry Notes Bibliography Index