Memoirs of Elleanor Eldridge

Elleanor Eldridge (1794–1862) was born free in Rhode Island. She and her siblings acquired considerable property and local prestige, despite rampant racism against people of color in the state. As a successful proprietor and entrepreneur in Warwick and Providence, Eldridge cultivated and maintained harmonious relationships with the white women she served such that they backed her during a series of lawsuits in which she was involved, and eventually won.Frances Harriett Whipple Green McDougall (1805–1878) was a minor US woman writer committed to developing a career for herself as a publishing social activist as well as to creating opportunities for other women and for people of color. Her first publication, The Original, was a short-lived magazine for New England women in the early 1820s. Her biographies of Elleanor Eldridge followed. She went on to publish in multiple genres ranging from abolitionist magazines, prolabor tracts, botany textbooks, and temperance and Spiritualist tracts.Joycelyn K. Moody is Sue E. Denman Distinguished Chair in American Literature and Professor of English at the University of Texas at San Antonio, where she teaches and publishes on black print culture studies, US narratives of slavery, African American autobiography, and women’s self-representation. She is also founding Director of UTSA’s African American Literatures and Cultures Institute. With John Ernest, she co-edits the University of Delaware Press's (formerly West Virginia University Press's) series Regenerations: African American Literature and Culture.

“This edition of Elleanor Eldridge’s memoir is a rare and welcome event. First of all, the narrative is entertaining and enlightening. It is an interesting and compelling story of a time, place, and person generally unknown and often unimagined in these times. It counters common convictions and compels more nuanced and respectful historical narratives about antebellum African Americans. And, it is aptly introduced by a carefully researched but clearly stated, engrossing essay. I wish more reprints were as fabulous and fascinating.” - Frances Smith Foster, author of Til Death or Distance Do Us Part: Love and Marriage in African America (2010)“Dr. Moody’s work in the introduction—her understanding of the current critical literature—is very complete. She has done considerable work to understand the trajectory of Whipple’s career; to bring to bear the writings of Maria Stewart, David Walker, and Sojourner Truth who used similar means of marshaling the written word to achieve fame, an outcome that has so far eluded Eldridge; she has done research in many public records to verify Whipple’s urgent plea for justice where injustice was served with regard to Eldridge’s real property. Dr. Moody’s careful work in the public records is an important contemporary supplement to the 1838 text.” - Caroline F. Sloat, author of Meet Your Neighbors: New England Portraits, Painters, and Society 1790-1850 (1992)

• Acknowledgements Introduction Memoirs of Ellanor Eldridge and Nineteenth-Century Interracial Coauthorship Memoirs of Elleanor Eldridge, Sentimentalism, and (Black) Print Culture as (White) Women's Political Activism Memoirs of Elleanor Eldridge and Productions of Maria W. Stewart A Free Woman of Property Memoirs of Elleanor Eldridge and the Rhode Island Court of Common Pleas Conclusion: Memoirs of Elleanor Eldridge as African American Literature Memoirs of Elleanor Eldridge Preface Chapter I. Chapter II. Chapter III. Chapter IV. Chapter V. Chapter VI. Chapter VII. Chapter VIII. Chapter IX. Chapter X, Chapter XI. Chapter XII. Chapter XIII. Appendix Appendices to the 2014 Edition About the Authors