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    1. Biografier
    2. Biografier
    3. Biografi: författare och journalister

    Overwriting Chaos

    Aleksandr Solzhenitsyn's Fictive Worlds

    AvRichard Tempest

    Häftad, Engelska, 2020

    Del i serien Cultural Revolutions: Russia in the Twentieth Century

    553 kr

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    Beskrivning

    Richard Tempest examines Aleksandr Solzhenitsyn’s evolution as a literary artist from his early autobiographical novel Love the Revolution to the experimental mega-saga The Red Wheel, and beyond. Tempest shows how this author gives his characters a presence so textured that we can readily imagine them as figures of flesh and blood and thought and feeling. The study discusses Solzhenitsyn’s treatment of Lenin, Stalin, and the Russian Revolution; surprising predilection for textual puzzles and games à la Nabokov or even Borges; exploration of erotic themes; and his polemical interactions with Russian and Western modernism. Also included is new information about the writer’s life and art provided by his family, as well as Tempest’s interviews with him in 2003-7.

    Produktinformation

    • Utgivningsdatum:2020-08-13
    • Mått:159 x 238 x 44 mm
    • Vikt:1 114 g
    • Format:Häftad
    • Språk:Engelska
    • Serie:Cultural Revolutions: Russia in the Twentieth Century
    • Antal sidor:750
    • Förlag:Academic Studies Press
    • ISBN:9781644694602

    Utforska kategorier

    • Biografi: författare och journalister inom Biografier
    • Litteraturvetenskap inom Skönlitteratur

    Mer om författaren

    Richard Tempest is an associate professor at the University of Illinois who studies the interactions between Russian and Western culture. His novel Zolotaya kost, about the adventures of a time-traveling American professor, was published in Moscow in 2004. Tempest’s current research focuses on charismatic politics in the twenty-first century.

    Recensioner i media

    “[A] massive and provocative book by the Slavist Richard Tempest has appeared, that aims to come to terms with the entirety of Solzhenitsyn’s ‘fictive worlds.’ With clarity and erudition, Tempest attempts to demonstrate how Solzhenitsyn used numerous experimental and modernist techniques to defend and revivify the realist tradition in literature, a tradition where good and evil are real and utterly palpable, where authentic heroes exist, and where an author committed to truth, responsibility, and the integrity of art manfully resists the chaos and nihilism of the age. Tempest… fully appreciates why Solzhenitsyn rejected ‘the howl of existentialism’ and fashionable but morally and culturally corrosive doctrines about ‘the death of the author.’ Solzhenitsyn refused to fiddle while Rome burned.”— Daniel J. Mahoney, Perspectives on Political Science“Richard Tempest’s Overwriting Chaos is a systematic up-to-date study of the structures of Solzhenitsyn’s artistic imagination. It places Solzhenitsyn in three widening frames: as a writer dealing with the Gulag and its pre-history, as an integral part of the Russian literary tradition, and, importantly and innovatively, as a major presence in world literature. It combines intratextual insight with discussions of intertextuality, connections with real-life phenomena, and effect on audiences. … The language of the book is rich, vivid, accessible, and methodologically and multilingually precise. … The book should be taken into account in all further research on Solzhenitsyn’s fiction, as a theory of Solzhenitsyn’s poetics, a source of local insights, a pilot, or a springboard.”—Leona Toker, The Hebrew University of Jerusalem, Russian Review

    Innehållsförteckning

    • AcknowledgmentsA Note on Translations andTransliterationsPrefaceTimeline of Solzhenitsyn’sLife and WorksPartOne: The Writer In Situ1. The Quilted Jerkin:Solzhenitsyn’s Life and Art2. Ice, Squared: “One Day inthe Life of Ivan Denisovich”3. “Turgenev Never Knew”: TheShorter Fictions of the 1950s and 1960s4. Meteor Man: Love the Revolution5. Helots and Heroes: In the First Circle6. Rebel versus Rabble: Cancer WardPartTwo: The Writer Ex Situ7. Twilight of All theRussias: The Red Wheel8. Return: The ShorterFictions of the 1990s9: Modernist?Appendix. Three Interviewswith Aleksandr Solzhenitsyn (2003–7)NotesSelected BibliographyIndex