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Mary Carleton, Megan Matchinske, Megan Matchinske - Carleton Bigamy Trial, Häftad

Häftad, Engelska, 2023

Carleton Bigamy Trial

Av Mary Carleton, Megan Matchinske, Megan Matchinske

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Beskrivning
Multiple conflicting perspectives come together in this collection to provide a Rashomon-style account of marriage, fraud, and trickery in seventeenth-century England.  Mary Carleton was an ordinary woman from Canterbury who entered historical records when she was accused of bigamy. The seven pamphlets in this edition focus on the bigamy trial of Mary Carleton, in which the accused eloquently defends herself and is ultimately acquitted. Written in the early years of the English Restoration, they demonstrate that narratives presenting what “she said” and what “he said” can reveal, forcefully and painfully, how truth can be fragmented in the different arenas of law, love, and politics. Through their disparate accounts of a marriage gone wrong, these pamphlets reinforce the social status quo even while they radically shatter the very foundations that give it heft. In asking readers to question absolutes, they unmask the precarious relationship between words and the world.
Produktinformation
  • Utgivningsdatum: 2023-04-21
  • Mått: 6 x 9 x 1 mm
  • Vikt: 644 g
  • Format: Häftad
  • Språk: Engelska
  • Antal sidor: 394
  • Förlag: Iter Press
  • ISBN: 9781649590756
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Mer om författaren

Mary Carleton (1642–73) was a woman accused of marrying under a false identity while masquerading as a German princess, and the author of several pamphlets defending herself. Megan Matchinske is an emeritus professor of English and comparative literature at UNC-Chapel Hill. She is the author of multiple books, including Women Writing History in Early Modern England.

Recensioner i media

“Matchinske’s edition of texts about the case of Mary Carleton will prove a treasure trove to students and scholars with an interest in gender, the law, and social class. The works assembled in this collection offer a valuable window into questions of personal identity and performance, but they also teach us to observe closely and ask probing questions about evidence and the construction of persuasive narratives in an early modern court of law and in popular print culture. The primary materials are carefully edited, and the engaging introduction provides pertinent context for both students and scholars, allowing readers to become familiar with or revisit this fascinating instance of seventeenth-century female self-fashioning.”

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