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Fidel Fajardo-Acosta - Poetry of the Medieval Troubadour, William IX of Aquitaine, Inbunden

Inbunden, Engelska, 2023

Poetry of the Medieval Troubadour, William IX of Aquitaine

The Songs that Built Europe

Av Fidel Fajardo-Acosta

Del i serien Studies in Medieval Literature

1546 kr

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Beskrivning
The Poetry of the Medieval Troubadour, William IX of Aquitaine: The Songs that Built Europe offers a new edition, translation, and critical discussion of the songs of the first European troubadour, William IX, Duke of Aquitaine. This book argues that William and his poetic works manifest the economic, political, and cultural forces that laid the foundations of modern Europe, including the subjectivities of modern westerners and the concerns and motifs of what later became the national literatures of France, Spain, England, Germany, and Italy. Encouraging personal freedoms, self-definition, and the pursuit of love and happiness, the culture of courtly love that William initiated is distinctly modern but can also be seen to have played a key role in the subjection of medieval Europeans to the then-emergent market economy, imperialist ambitions of the Church, and authority of proto-national kingdoms. As such subjection affected even the highest-ranking aristocrats, such as William, the road of liberation of desire appears to have been a fast lane to serfdom for everyone, perhaps the most pre-modern feature of the modern and postmodern conditions.
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Fidel Fajardo-Acosta is professor of English at Creighton University.

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Half ingenious scholarly commentary, half disquisition on the rot of modernity (which, of course, extends through to the Middle Ages and beyond), this book takes aim at contemporary political discourse which ridicules the medieval period as irrelevant, celebrates it as racist and homophobic, or makes it a strategically child-like evocation of the American dream. Taking Guilhem IX as a figure through whom to examine the universal appeal and message of Occitan poetic production as well as the tragic ironies of modern subjecthood, Fajardo-Acosta finds early vestiges of capitalism and the current debased view of the past, of truth, and of literature in the cynical and theatrical 12th-century comtal court of Guilhem IX in Poitiers. Fajardo-Acosta offers us in this study a refreshingly polemical intervention into cultural studies and an altogether exhilarating read.

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