Shakespeare Studies

James R. Siemon is professor of English at Boston University, US.Diana E. Henderson is the Arthur J. Conner Professor of Literature at MIT, US.

• FORUM Marlowe Revisited: Text, Performance, LegacyIntroductionLucy Munro, King’s College London, UKDesunt Nonnulla: Unfinishing Hero and LeanderAdam Zucker, University of Massachusetts Amherst, US"The closet of my heart": Letters, Secretariats, and Erotic Encryption in Edward IIKerry Cooke, Mary Baldwin University, USMarlowe's Mighty Scaffolded Line: Christopher Marlowe, Training Practices, and the Playing Companies of Elizabethan LondonHannah L. Wilson, King's College London, UK“Here have I made a dainty gallery”: Playhouse Space and Performance in The Jew of MaltaCecilia Lindskog Whiteley, Uppsala University, Sweden"And yet they thrust not home": The Swords of the Marlovian StageJade Standing, Queen's University, CanadaHow to Burn a Character on the Early Modern Stage: Fire in Dido, Queen of CarthageKitamura Sae, Musashi University, JapanThe Extra Devil, RevisitedChristine Varnado, University at Buffalo-SUNY, US"Redress these wrongs and warn him to his ships": Slave Trade Routes, the Maltese Ship Carriere, and Marlowe's Dido, Queen of CarthageLisa M. Barksdale-Shaw, Arizona State University, USNEXT GENERATION PLENARY IntroductionCuckold Communities in the Kinky Early ModernErika Carbonara, Kalamazoo College, USThree Copies of Ovid's MetamorphosesMargaux Delaney, Cornell University, USSkin Coats and the Texture of Race in Stuart MasquesLily Freeman-Jones, Queen Mary University of London, UKCleopatra's "Immoment Toys"Arya Sureshbabu, University of California, Berkeley, USARTICLES"you perform your Antique round": Taking the Measure of Tyranny for a Twenty-First Century MacbethAndrew Hiscock, Bangor University, Wales, UKBecoming Tricky in Measure for Measure: Isabella's Silences RevisitedLaura Kolb, Baruch College, CUNY, USTwo Knacks in The Winter's TaleJessica M. Rosenberg, Cornell University, USVirtuous Attention: Desire, Knowledge, and Compassion in Much Ado about NothingKelly Lehtonen, Campbellsville University, US“It was a torment/ To lay upon the damned”: Ariel and Trauma in The TempestKelsey Ridge, Alvernia University, USREVIEWSStaging Female Characters in Shakespeare’s English History PlaysBy Hailey BachrachReviewer: Phyllis Rackin, University of Pennsylvania, USShakespeare Through Islamic WorldsBy Ambereen DadabhoyReviewer: Bernadette Andrea, University of California, Santa Barbara, USGeneric Innovation in Shakespeare and His ContemporariesBy Edward GieskesReviewer: Laurie Johnson, University of Southern Queensland, AustraliaThe Bard in the Borderlands: An Anthology of Shakespeare Appropriations En La Frontera, Volume 1 Edited by Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero SantosReviewer: Vanessa I. Corredera, Andrews University, USThe Great White Bard: How to Love Shakespeare While Talking About RaceBy Farah Karim-CooperandShakespeare’s White Others By David Sterling BrownReviewer: Joyce Green MacDonald, University of Kentucky, USWartime Shakespeare: Performing Narratives of ConflictBy Amy LidsterReviewer: Nicholas Utzig, U.S. Military Academy West Point, USShakespeare on the Ecological SurfaceBy Liz Oakley-BrownReviewer: Karen Raber, University of Mississippi, USINDEXABOUT THE EDITORS AND CONTRIBUTORS