Long Live King Kobe

Paul Auster is the author of Burning Boy, 4 3 2 1, Sunset Park, The Book of Illusions, Moon Palace, Winter Journal, The invention of Solitude and the New York Trilogy among many other works. In 2006 he was awarded the Prince of Asturias Prize for Liturature. Among his other honors are the Prix Médicis Etranger for Leviathan, the Independent Spirit Award for the screenplay of Smoke, and The Premio Napoli for Sunset Park. He has also been a finalist for the International IMPAC Dublin Literary Award (The Book of Illusions), the Pen/Faulkner Award (The Music of Chance), and the Man Booker Prize (4 3 2 1). Spencer Ostrander is a photographer based in Brooklyn. He was born in Seattle, Washington in 1984. The year he turned 21 several people close to him died, one after the other, and he realized he had no tangible images of them to fix in his memory. He began to think about the meaning of photographs. While studying psychology in San Francisco, Ostrander received a Nikkormat 35mm as a gift from a family friend and his interest in the art became an active obsession. He transferred to Parsons School of Design in New York City, from which he graduated in 2010. He went on to assist freelance for a variety of portrait and documentary photographers. Although he abandoned the formal study of psychology, Ostrander’s work is deeply informed by a desire to observe closely, to forge human connections, and to intimately understand the world around him. He has recently completed two other books, Time Square in the Rain and Bloodbath Nation (in collaboration with Paul Auster). Sherma Chambers was born on the Island of St, Vincent. She immigrated to the United States at the age of 15 and has lived in Brooklyn ever since. Sherma is the mother of three sons, Shomari, 29, Shayne, 24, and Tyler, who was murdered at age 21 on December 23, 2020. Following Tyler’s death, she became the founder and director of Long Live King Kobe, a New York State nonprofit organization. The goals of LLKK are to support the families and friends of victims of violence and to fund outreach programs for troubled youth.

"These photographs, this story, they are hard to deal with, yet one goes back to the pages, because we have the freedom to turn away from the tragedy, but the family and friends of Tyler Kobe Nichols do not. Their tributes are eloquent, as is the testimony in their faces. This is not black-on-black crime, this is the American way of death, as Ostrander's haunting work so powerfully tells us." -Darryl Pinckney, Author of High Cotton and Black Deutschland "This engrossing book reminds us how often such stories are ignored or overlooked. A loss so inexplicable might be forgotten by all but those who knew Tyler Kobe Nichols without these images and testimonies. The empty living rooms, barber's chairs and neighborhood corners are filled with his presence. He is alive in the lives he touched. He is alive in us. I keep thinking about the condolence card from his mother's co-workers. We people who did not know him have a chance to know him here. Our sympathies become commemorations; our prayers become praise songs. We are given the gift of witness." -Terrance Hayes, Poet "How can we do justice to a gentle, openhearted 21-year old who was violently, randomly murdered? How can the particulars of his life and character outlast the horror of his death? Photographs often seize on extremities: the ugly evidence of the crime, the uncontainable grief of friends and family. What Spencer Ostrander gives us instead is a quiet space where each mourner thinks and remembers, confronts and yields to loss, hour by hour and day by day. Here is the evidence of things seen, known, and loved: Tyler's playground basketball hoop; Tyler's face tattooed on the arms of family and friends; the red barbershop chair where he got his last haircut; the memorial candles glowing softly; a cousin touching a picture frame as if his hand could bestow life on Tyler's image. Death imposes solitude on every mourner-we each bear the burden of loss alone. And yet, as we turn the pages of this quietly powerful book, we also feel the collective sorrow of this family. Their closeness. Their valor in accepting the burdens and range of grief. Ostrander does not let us presume. He lets us honor their mourning with empathic respect." -Margo Jefferson, Pulitzer Prize for Criticism and author of Negroland