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    1. Biografier
    2. Biografier
    3. Biografi: författare och journalister

    Arthur Rimbaud

    AvSeth Whidden

    Häftad, Engelska, 2018

    Del 83 i serien Critical Lives

    182 kr

    Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

    Beskrivning

    Before he had turned 21, Arthur Rimbaud (1854–1891) upended the house of French poetry and left it in shambles. What makes Rimbaud’s poetry important, argues Seth Whidden, is part of what makes his life so compelling: rebellion, audacity, creativity and exploration.Almost all of Rimbaud’s poems were written between the ages of fifteen and twenty. Against the backdrop of the crumbling Second Empire and the tumultuous Paris Commune, the poet took centuries-old traditions of French versification and picked them apart with an unmatched knowledge of how they fitted together. Combining sensuality with pastoral, parody, political satire, fable, eroticism and mystery, Rimbaud’s works range from traditional verse forms to prose-poetry and the two first free-verse poems written in French.By situating Rimbaud’s writing in Africa as part of a continuum that spans his entire life, this book offers a corrective to the traditional split between his life as a poet and his life afterwards. Written for general readers and students of literature alike, Arthur Rimbaud presents the original damned poet who continues to captivate readers, artists and writers all over the world.

    Produktinformation

    • Utgivningsdatum:2018-08-13
    • Mått:130 x 200 x 14 mm
    • Vikt:356 g
    • Format:Häftad
    • Språk:Engelska
    • Serie:Critical Lives
    • Antal sidor:200
    • Förlag:Reaktion Books
    • ISBN:9781780239804

    Utforska kategorier

    • Biografi: författare och journalister inom Biografier
    • Litteraturvetenskap inom Skönlitteratur

    Mer om författaren

    Seth Whidden is Professor of French at the University of Oxford and editor of Nineteenth-century French Studies. His publications include Leaving Parnassus: The Lyric Subject in Verlaine and Rimbaud (2007) and Authority in Crisis in French Literature, 1850–1880 (2014). For ten years he served as co-editor of Parade sauvage, the scholarly journal of Rimbaud studies.

    Recensioner i media

    Outstanding Academic Title Award 2019- ChoiceReading Whidden’s study feels like sitting in on a poetry class, featuring close (at times, technical) readings and perceptive analysis, which deepen our appreciation of Rimbaud’s art. The reader experiences the thrill of being granted a front-row seat to the precocious becoming and premature undoing of our young hero. In addition, we are treated to facsimiles of Rimbaud’s original manuscripts featuring his beautiful penmanship and the cast of characters whose influence he often quickly outgrew: family, teachers, artists, and friends . . . [a] gripping study. - World Literature TodayWhidden brings all the erudition of his previous studies to bear in this accessible biography of a turbulent artist whose explosive and ephemeral talent upended and reoriented French poetry. The originality of this concise volume lies in its thoughtful fusion of criticism and reportage, and its unique organization of the poet's well-documented life . . . In addition to generous excerpts of Rimbaud's poetry and letters, this work incorporates ample drawings and photographs, some by the poet himself, to introduce a truly catalytic and creative life. Highly recommended. - ChoiceSeth Whidden’s captivating account of Rimbaud is certain to establish itself swiftly as an essential item on reading lists . . . the book provides both an excellent introduction for the student, and some probing and challenging analyses for the more advanced scholar . . . Discussion of the poetry is nuanced throughout, and we are treated to some delightfully perceptive close readings . . . this is an exemplary study, and one that inspires us to revisit, reread, and rethink Rimbaud. - French StudiesIt is perhaps unusual for a critical study – even a biographical one – to be described as a “page turner;” in the case of Seth Whidden’s recent study of Arthur Rimbaud, however, the epithet seems fitting . . . The book is both an illuminating introduction to Rimbaud and his works, and an insightful textual study that has already become an essential addition to reading lists on nineteenth-century French poetry for Modern Languages and comparative literature courses. - H-France ReviewsThis book is a must-read for students first encountering Rimbaud. Whidden puts everything in place to facilitate the appreciation of even his most difficult poems, including excellent English translations, without ever claiming to provide an interpretative key. A well-researched and up-to-date study, it is also bound to spark fresh insights in readers already familiar with Rimbaud’s writing. This book is no exercise in academic turf-marking; as Whidden notes in his closing words, “there will always be enough Rimbaud for all of us” (190). Rather, it is an invitation to take stock of the boundlessness of Rimbaud’s poetic project, and to stay in step with it, resolutely. - Nineteenth-Century French StudiesThis highly engaging new biography, in the acclaimed Critical Lives series, brims with scholarly insight and moves along with verve. Seth Whidden wears his erudition lightly and illuminatingly as he blends biography, poetry analysis, cultural history, and the background of the Siege of Paris and the Commune. The biography packs an informational punch for readers new to Rimbaud and also for those seeking to refresh their knowledge of the creative and personal parcours of one of global modernity’s landmark poets. - Modern & Contemporary France[an] exquisite short biography . . . Whidden returns to what we know of Rimbaud's life with force and verve, without forgoing close attention to the work itself . . . Although Whidden's chapter titles purport to focus on spaces, it is his ability to give a sense of time – both in its passing and in its plasticity – that sets this book apart from similar works . . . Whidden's art in part consists of extending this poetic logic to the biographical . . . Arthur Rimbaud is an excellent guide to the impossible task of charting the poet's infinite range and depth. - Thomas C. Connolly, French ForumWhidden structures his telling of the story around two central themes which capture Rimbaud’s restless spirit – movement and writing – and situates Rimbaud’s poetic career within the context of key historical events such as the Franco-Prussian war, the siege of Paris and the Commune. The exhausting relationship between Rimbaud and Verlaine is entertainingly recounted, and an elegant reading of Une saison en enfer breathes new life into the lost art of reading texts through the lens of the author’s life. There are illuminating readings of Rimbaud’s poems throughout, and Whidden succeeds in making difficult texts accessible, quoting in French with English translation . . . an excellent critical introduction to his life and work for a diverse readership. - Forum for Modern Language StudiesSeth Whidden’s biography of Rimbaud also impressively chops away some of the myths and clichés that have grown up around Rimbaud’s life like strangling ivy . . . It’s an impressive piece of work, it manages to be scholarly, thrilling and sober in one. Not easy. - Manchester Review of BooksSeth Whidden brings Arthur Rimbaud – the poet and the man, the irrepressible bad boy and the insuperable genius – alive in this engaging biography. As addictively readable as it is elegantly researched, Whidden’s book will appeal not only to specialists but to all readers interested in French poetry, culture, and the ever-fascinating interplay between life and art. - Caroline Weber, author of Proust’s Duchess: How Three Celebrated Women Captured the Imagination of Fin-de-Siècle ParisIn his always perceptive account of Rimbaud’s life, times and writing, Seth Whidden both draws on the recent research and transmits to English-speaking readers the poet’s new and often disconcerting significance. - Ross Chambers, author of An Atmospherics of the City: Baudelaire and the Poetics of Noise