MacGillivray is the Highland name of writer and artist Kirsten Norrie. Her poetry and multi-disciplinary practice inhabits a rich artistic universe encompassing performance art, song-writing and the use of visual media such as sculpture and photography. She has published three books of poetry, The Last Wolf of Scotland (Pighog/Red Hen, 2013), The Nine of Diamonds: Surroial Mordantless (Bloodaxe Books, 2016) and The Gaelic Garden of the Dead (Bloodaxe Books, 2019). Her non-fiction work, Scottish Lost Boys (as by Kirsten Norrie), was published by Stranger Attractor/The MIT Press in 2018. She has taught at the Universities of Oxford, Cheltenham and Gloucester and Edinburgh College of Art. After living for many years in Edinburgh, she is now based in Oxford.

'Occulted, fire-warped, close-stitched in freshly butchered skin, MacGillivray's keening rant is prophecy, hot and plain. A sequence of cards dealt in the wake of shamanic seizures that happen, and happen again, only because the poet insists on their ghostly witness. Here are songs of fierce tenderness and subtle cruelty. They sting in salt like a Highland curse. I relish every breath of the fall and crush.' - Iain Sinclair. 'Luscious, generous and always terrifyingly wise, MacGillivray's unique poetic intelligence has crafted a work we have all been secretly waiting for. Its voice and the crystal breath between the words awakens histories and futures that are vividly permeable to our memory and longing. A twilight cartomancy born between open heath and midnight cave; sublime in rage, quick in beauty and hopelessly decade to love.' - B. Catling. 'There are not many books of poetry that can be classified as genuinely original and large in scope; even among the disputed ground of "innovative writing" there is little that is truly groundbreaking. Reading The Last Wolf of Scotland, however, I feel that I may have found just that sort of book.' - Steven Waling, Magma.

MacGillivray is the Highland name of writer and artist Kirsten Norrie. Her poetry and multi-disciplinary practice inhabits a rich artistic universe encompassing performance art, song-writing and the use of visual media such as sculpture and photography. She has published three books of poetry, The Last Wolf of Scotland (Pighog/Red Hen, 2013), The Nine of Diamonds: Surroial Mordantless (Bloodaxe Books, 2016) and The Gaelic Garden of the Dead (Bloodaxe Books, 2019). Her non-fiction work, Scottish Lost Boys (as by Kirsten Norrie), was published by Stranger Attractor/The MIT Press in 2018. She has taught at the Universities of Oxford, Cheltenham and Gloucester and Edinburgh College of Art. After living for many years in Edinburgh, she is now based in Oxford.

'Occulted, fire-warped, close-stitched in freshly butchered skin, MacGillivray's keening rant is prophecy, hot and plain. A sequence of cards dealt in the wake of shamanic seizures that happen, and happen again, only because the poet insists on their ghostly witness. Here are songs of fierce tenderness and subtle cruelty. They sting in salt like a Highland curse. I relish every breath of the fall and crush.' - Iain Sinclair. 'Luscious, generous and always terrifyingly wise, MacGillivray's unique poetic intelligence has crafted a work we have all been secretly waiting for. Its voice and the crystal breath between the words awakens histories and futures that are vividly permeable to our memory and longing. A twilight cartomancy born between open heath and midnight cave; sublime in rage, quick in beauty and hopelessly decade to love.' - B. Catling. 'There are not many books of poetry that can be classified as genuinely original and large in scope; even among the disputed ground of "innovative writing" there is little that is truly groundbreaking. Reading The Last Wolf of Scotland, however, I feel that I may have found just that sort of book.' - Steven Waling, Magma.

MacGillivray is the Highland name of writer and artist Kirsten Norrie. Her poetry and multi-disciplinary practice inhabits a rich artistic universe encompassing performance art, song-writing and the use of visual media such as sculpture and photography. She has published three books of poetry, The Last Wolf of Scotland (Pighog/Red Hen, 2013), The Nine of Diamonds: Surroial Mordantless (Bloodaxe Books, 2016) and The Gaelic Garden of the Dead (Bloodaxe Books, 2019). Her non-fiction work, Scottish Lost Boys (as by Kirsten Norrie), was published by Stranger Attractor/The MIT Press in 2018. She has taught at the Universities of Oxford, Cheltenham and Gloucester and Edinburgh College of Art. After living for many years in Edinburgh, she is now based in Oxford.

'Occulted, fire-warped, close-stitched in freshly butchered skin, MacGillivray's keening rant is prophecy, hot and plain. A sequence of cards dealt in the wake of shamanic seizures that happen, and happen again, only because the poet insists on their ghostly witness. Here are songs of fierce tenderness and subtle cruelty. They sting in salt like a Highland curse. I relish every breath of the fall and crush.' - Iain Sinclair. 'Luscious, generous and always terrifyingly wise, MacGillivray's unique poetic intelligence has crafted a work we have all been secretly waiting for. Its voice and the crystal breath between the words awakens histories and futures that are vividly permeable to our memory and longing. A twilight cartomancy born between open heath and midnight cave; sublime in rage, quick in beauty and hopelessly decade to love.' - B. Catling. 'There are not many books of poetry that can be classified as genuinely original and large in scope; even among the disputed ground of "innovative writing" there is little that is truly groundbreaking. Reading The Last Wolf of Scotland, however, I feel that I may have found just that sort of book.' - Steven Waling, Magma.