Few would dispute the importance of preserving and providing access to cultural heritage and the key role of libraries in this endeavour. In an increasingly digital world, initiatives such as Google's Book Search Project have digitised broad swathes of the world's literary heritage and have enabled search engines to take on functions once exclusive to libraries.Before the advent of digital technology, libraries acquired copyrighted works in tangible hard copies. Those copies were then preserved in their original form and access was granted either on the premises or through lending schemes. Today, libraries often handle works that are born digital and, in many cases, have never existed in tangible form. In addition, there is a demand to digitize analogue works, inter alia to make them available on-line. These developments and the high volume of in-copyright works in library collections create tensions with copyright law and constitute a major challenge for libraries and other cultural heritage institutions wishing to operate in the digital world. The problem is compounded by the territorial nature of copyright, which generally means that the exercise of the exclusive rights afforded by copyright in one country is geographically restricted to that country, unless the rights are specifically recognised in another country. For digital libraries who want to put in-copyright works online, the principle of territoriality usually requires them to obtain licences from rightholders for each country where a work is to be made available online. This is a major obstacle in making Europes cultural heritage easily accessible in the digital world.The implications of these developments for libraries are stark; if libraries are to prevent themselves from becoming obsolete, they must provide the same services in the digital environment as they currently do in the analogue world, whilst ensuring they operate within the legal framework.European Libraries and the Internet: Copyright and Extended Collective Licences examines libraries' online use of in-copyright works from their collections and how such use is affected by copyright. In particular, the book examines whether the system of extended collective licences could facilitate online access without territorial limitations to in-copyright works in libraries, within Europe or more specifically within the European Economic Area (EEA). The book explores options for a legal framework, in particular the system of extended collective licences, which allow libraries to operate in the digital world while maintaining the necessary balance of rights and obligations between rightholders and users.

Few would dispute the importance of preserving and providing access to cultural heritage and the key role of libraries in this endeavour. In an increasingly digital world, initiatives such as Google's Book Search Project have digitised broad swathes of the world's literary heritage and have enabled search engines to take on functions once exclusive to libraries.Before the advent of digital technology, libraries acquired copyrighted works in tangible hard copies. Those copies were then preserved in their original form and access was granted either on the premises or through lending schemes. Today, libraries often handle works that are born digital and, in many cases, have never existed in tangible form. In addition, there is a demand to digitize analogue works, inter alia to make them available on-line. These developments and the high volume of in-copyright works in library collections create tensions with copyright law and constitute a major challenge for libraries and other cultural heritage institutions wishing to operate in the digital world. The problem is compounded by the territorial nature of copyright, which generally means that the exercise of the exclusive rights afforded by copyright in one country is geographically restricted to that country, unless the rights are specifically recognised in another country. For digital libraries who want to put in-copyright works online, the principle of territoriality usually requires them to obtain licences from rightholders for each country where a work is to be made available online. This is a major obstacle in making Europes cultural heritage easily accessible in the digital world.The implications of these developments for libraries are stark; if libraries are to prevent themselves from becoming obsolete, they must provide the same services in the digital environment as they currently do in the analogue world, whilst ensuring they operate within the legal framework.European Libraries and the Internet: Copyright and Extended Collective Licences examines libraries' online use of in-copyright works from their collections and how such use is affected by copyright. In particular, the book examines whether the system of extended collective licences could facilitate online access without territorial limitations to in-copyright works in libraries, within Europe or more specifically within the European Economic Area (EEA). The book explores options for a legal framework, in particular the system of extended collective licences, which allow libraries to operate in the digital world while maintaining the necessary balance of rights and obligations between rightholders and users.

Few would dispute the importance of preserving and providing access to cultural heritage and the key role of libraries in this endeavour. In an increasingly digital world, initiatives such as Google's Book Search Project have digitised broad swathes of the world's literary heritage and have enabled search engines to take on functions once exclusive to libraries.Before the advent of digital technology, libraries acquired copyrighted works in tangible hard copies. Those copies were then preserved in their original form and access was granted either on the premises or through lending schemes. Today, libraries often handle works that are born digital and, in many cases, have never existed in tangible form. In addition, there is a demand to digitize analogue works, inter alia to make them available on-line. These developments and the high volume of in-copyright works in library collections create tensions with copyright law and constitute a major challenge for libraries and other cultural heritage institutions wishing to operate in the digital world. The problem is compounded by the territorial nature of copyright, which generally means that the exercise of the exclusive rights afforded by copyright in one country is geographically restricted to that country, unless the rights are specifically recognised in another country. For digital libraries who want to put in-copyright works online, the principle of territoriality usually requires them to obtain licences from rightholders for each country where a work is to be made available online. This is a major obstacle in making Europes cultural heritage easily accessible in the digital world.The implications of these developments for libraries are stark; if libraries are to prevent themselves from becoming obsolete, they must provide the same services in the digital environment as they currently do in the analogue world, whilst ensuring they operate within the legal framework.European Libraries and the Internet: Copyright and Extended Collective Licences examines libraries' online use of in-copyright works from their collections and how such use is affected by copyright. In particular, the book examines whether the system of extended collective licences could facilitate online access without territorial limitations to in-copyright works in libraries, within Europe or more specifically within the European Economic Area (EEA). The book explores options for a legal framework, in particular the system of extended collective licences, which allow libraries to operate in the digital world while maintaining the necessary balance of rights and obligations between rightholders and users.