Victoria Kielland is a Norwegian writer. My Men was published to rave reviews in Norway, earning her several prizes including the Swedish Academy's Dobloug Prize and the Norwegian Academy's Thorleif Dahl Prize, of which she was the youngest ever recipient. The novel is also being translated into 14 languages. Kielland's debut short story collection, I Lyngen (In the Heather), was shortlisted for the Tarjei Vesaas First Book Prize, and her first novel, Dammyr (Marsh Pond), was shortlisted for the Youth Critics' Prize.Damion Searls has translated more than fifty books of classic modern literature, including works by Rainer Maria Rilke, Marcel Proust, Thomas Mann, Elfriede Jelinek and Jon Fosse. His own writing includes fiction, poetry, criticism, The Inkblots-a history of the Rorschach Test and biography of its creator, Hermann Rorschach-and The Philosophy of Translation, forthcoming.

The intense, progressively feverish quality of the novel is far closer to the visceral interiority of Clarice Lispector or Jean Rhys than anything by Jo Nesbø or Stieg Larsson... A singular novel of unusual power from a fearless and remarkable writer

Victoria Kielland is a Norwegian writer. My Men was published to rave reviews in Norway, earning her several prizes including the Swedish Academy's Dobloug Prize and the Norwegian Academy's Thorleif Dahl Prize, of which she was the youngest ever recipient. The novel is also being translated into 14 languages. Kielland's debut short story collection, I Lyngen (In the Heather), was shortlisted for the Tarjei Vesaas First Book Prize, and her first novel, Dammyr (Marsh Pond), was shortlisted for the Youth Critics' Prize.Damion Searls has translated more than fifty books of classic modern literature, including works by Rainer Maria Rilke, Marcel Proust, Thomas Mann, Elfriede Jelinek and Jon Fosse. His own writing includes fiction, poetry, criticism, The Inkblots-a history of the Rorschach Test and biography of its creator, Hermann Rorschach-and The Philosophy of Translation, forthcoming.

The intense, progressively feverish quality of the novel is far closer to the visceral interiority of Clarice Lispector or Jean Rhys than anything by Jo Nesbø or Stieg Larsson... A singular novel of unusual power from a fearless and remarkable writer