Bokus
Mattias Frey - Postwall German Cinema, Häftad

Häftad, Engelska, 2015

Postwall German Cinema

History, Film History and Cinephilia

Av Mattias Frey

Del 14 i serien Film Europa

560 kr

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Beskrivning
Since the fall of the Berlin Wall, there has been a proliferation of German historical films. These productions have earned prestigious awards and scored at box offices both at home and abroad, where they count among the most popular German films of all time. Suddenly, however, a significant departure has been made from the country's prominent cinematic take on history: the radical style, content, and politics of the New German Cinema. With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in postwall Germany. Challenging previous paradigms, it takes account of a postwall cinema of retro-flection as a complex engagement with various historiographical forms and, above all, with film history itself.
Produktinformation
  • Utgivningsdatum: 2015-06-01
  • Mått: 152 x 229 x undefined mm
  • Vikt: 304 g
  • Format: Häftad
  • Språk: Engelska
  • Serie: Film Europa
  • Antal sidor: 218
  • Förlag: Berghahn Books
  • ISBN: 9781782389026
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Mattias Frey is Senior Lecturer in Film Studies at the University of Kent. His research revolves around German and Austrian cinema, historiography, matters of media reception and consumption, the history of classical and contemporary film theory, movie criticism, and cinephilia. His work appears in Cinema Journal, Screen, New German Critique, Quarterly Review of Film & Video, Framework, Film International, and Senses of Cinema, as well as numerous anthologies and reference works. He is the co-editor of Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship.

Recensioner i media

" - a highly inspirational and very readable book." * H-Soz-u-Kult "This book will make an important contribution to the growing body of literature on contemporary German film. - The discussion of Das Wunder von Bern, Baader and Die Unberuhrbare in particular stand out." * Paul Cooke, University of Leeds

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