Madeleine Callaghan is a senior lecturer in Romantic Literature at the University of Sheffield, UK. She has published various articles and chapters on Romantic and post-Romantic poetry. Callaghan is the author of Shelley’s Living Artistry: Letters, Poems, Plays (2017), co-author of The Romantic Poetry Handbook (2018) and co-editor of Twentieth-Century British and Irish Poetry: Hardy to Mahon (2011).

Callaghan has hit upon an interesting point of convergence between Byron and Shelley with her discussion of the poet-hero. She is a great reader of poetry, and I learned a lot from her analyses of specific stanzas and lines in both Byron’s and Shelley’s works. — Alexander Grammatikos, Langara College, Vancouver, BC, Canada, European Romantic Review (2021)

• Acknowledgements; Note on Texts and Abbreviations; Introduction: The Poet- Hero: ‘Who shall trace the void?’; Part I Byron; Chapter One ‘A tyrant- spell’: The Byronic (Poet- )Hero in Manfred , Childe Harold’s Pilgrimage and Beppo; Chapter Two ‘Degraded to a Doge’: Inappropriate Poetic Heroism in Marino Faliero; Chapter Three ‘Thoughts unspeakable’: Poetic Heroism under Pressure in Cain and The Deformed Transformed; Chapter Four Poetic Heroism and Authority: Don Juan and ‘Epistle to Augusta’; Interchapter: Chapter Five ‘As we wish our souls to be’: Julian and Maddalo and The Island; Part II Shelley; Chapter Six ‘The Highest Idealism of Passion and of Power’: Shelley’s Heroic Poetics in A Defence of Poetry, The Mask of Anarchy and Prometheus Unbound; Chapter Seven ‘Holy and Heroic Verse’: The Revolutionary Poet- Heroes of Laon and Cythna; Chapter Eight ‘This soul out of my soul’: The Trial of the Poet- Hero in Shelley’s Epipsychidion; Chapter Nine ‘His mute voice’: The Two Heroes of Adonais; Conclusion; The Byronic and the Shelleyan Poet- Hero; Bibliography; Index.

Madeleine Callaghan is a senior lecturer in Romantic Literature at the University of Sheffield, UK. She has published various articles and chapters on Romantic and post-Romantic poetry. Callaghan is the author of Shelley’s Living Artistry: Letters, Poems, Plays (2017), co-author of The Romantic Poetry Handbook (2018) and co-editor of Twentieth-Century British and Irish Poetry: Hardy to Mahon (2011).

Callaghan has hit upon an interesting point of convergence between Byron and Shelley with her discussion of the poet-hero. She is a great reader of poetry, and I learned a lot from her analyses of specific stanzas and lines in both Byron’s and Shelley’s works. — Alexander Grammatikos, Langara College, Vancouver, BC, Canada, European Romantic Review (2021)

• Acknowledgements; Note on Texts and Abbreviations; Introduction: The Poet- Hero: ‘Who shall trace the void?’; Part I Byron; Chapter One ‘A tyrant- spell’: The Byronic (Poet- )Hero in Manfred , Childe Harold’s Pilgrimage and Beppo; Chapter Two ‘Degraded to a Doge’: Inappropriate Poetic Heroism in Marino Faliero; Chapter Three ‘Thoughts unspeakable’: Poetic Heroism under Pressure in Cain and The Deformed Transformed; Chapter Four Poetic Heroism and Authority: Don Juan and ‘Epistle to Augusta’; Interchapter: Chapter Five ‘As we wish our souls to be’: Julian and Maddalo and The Island; Part II Shelley; Chapter Six ‘The Highest Idealism of Passion and of Power’: Shelley’s Heroic Poetics in A Defence of Poetry, The Mask of Anarchy and Prometheus Unbound; Chapter Seven ‘Holy and Heroic Verse’: The Revolutionary Poet- Heroes of Laon and Cythna; Chapter Eight ‘This soul out of my soul’: The Trial of the Poet- Hero in Shelley’s Epipsychidion; Chapter Nine ‘His mute voice’: The Two Heroes of Adonais; Conclusion; The Byronic and the Shelleyan Poet- Hero; Bibliography; Index.