Confirmation

AvChris Thorpe,Rachel Chavkin

Häftad, Engelska, 2014

Del i serien Oberon Modern Plays

214 kr

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E-bok

219 kr

Beskrivning

Winner of a Scotsman Fringe First Award 2014If you pinned me against a wall and put a gun to my head, I’d probably admit to being a liberal. Actually if you pinned me against a wall and put a gun to my head,I’d probably admit to being whatever you wanted me to be. And of course, putting a gun to my head is exactly what I’d expect from someone likeyou.Confirmation is a show about the gulf between beliefs that we can’t talk across.About our knee-jerk dismissal of the opposing viewpoint. About the echo chamberof agreement and validation we live in. About the way we choose only to see theevidence that proves we’re right.A new solo show from a multi Fringe First winning team: written and performed by Chris Thorpe (Unlimited Theatre, Third Angel), developed with and directed by Rachel Chavkin (The TEAM).

Produktinformation

Utgivningsdatum:2014-07-25
Mått:124 x 194 x 6 mm
Vikt:80 g
Format:Häftad
Språk:Engelska
Serie:Oberon Modern Plays
Antal sidor:68
Förlag:Bloomsbury Publishing PLC
ISBN:9781783191543

Utforska kategorier

Dramatik inom Skönlitteratur

Mer om författaren

Chris Thorpe was a founding member of Unlimited Theatre and still works and tours with the company. He is also an Artistic Associate of live art/theatre company Third Angel as well as working closely with, among others, Forest Fringe, Slung Low, Chris Goode, RashDash, Belarus Free Theatre and Portuguese company mala voadora for whom he has just completed a trilogy of new plays. He has an ongoing collaboration with poet Hannah Jane Walker, having written two shows, The Oh Fuck Moment and I Wish I Was Lonely. As a playwright Chris has written radio and stage drama, as well as translating the work of Ugljesa Sajtinac (the play Huddersfield is also published by Oberon), Belarus Free Theatre, and Ze Maria Mendes.

Recensioner i media

Thorpe and director Rachel Chavkin energetically take a liberal Fringe audience to the edge of the abyss of belief and hang them over the side in a conversation for our times

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