Born in West Germany in 1931, Rolf Hochhuth’s provocative first drama, Der Stellvertreter. Ein christliches Trauerspiel (The Deputy, a Christian tragedy, also known as The Representative), accuses Pope Pius XII and the Roman Catholic clergy of tolerating Nazi crimes against the Jews. It received productions worldwide and caused great controversy, as well as recently being adapted for the film Amen. It was produced at the Finborough Theatre in 2006. His second play, Soldiers, initially banned in England, received its world premiere in Berlin in 1967, and received its first UK revival at the Finborough Theatre in 2004. Later works include Guerrillas, The Midwife, The Survivor and the film A Love in Germany.Gwynne Edwards has prepared a new translation of the play, from a literal translation by Jennifer Bakst. Gwynne Edwards is a specialist in Spanish theatre and cinema and, until recently, Professor of Spanish at the University of Aberystwyth, Wales.

Amid the welter of shows about the First World War, Rolf Hochhuth's play is something of a rarity: an epic mix of history lesson, expressionist drama and Germanic Oh! What a Lovely War...Hochhuth has lost none of his capacity for controversy - offers a fascinating portrait of the inexorable march towards war.

Born in West Germany in 1931, Rolf Hochhuth’s provocative first drama, Der Stellvertreter. Ein christliches Trauerspiel (The Deputy, a Christian tragedy, also known as The Representative), accuses Pope Pius XII and the Roman Catholic clergy of tolerating Nazi crimes against the Jews. It received productions worldwide and caused great controversy, as well as recently being adapted for the film Amen. It was produced at the Finborough Theatre in 2006. His second play, Soldiers, initially banned in England, received its world premiere in Berlin in 1967, and received its first UK revival at the Finborough Theatre in 2004. Later works include Guerrillas, The Midwife, The Survivor and the film A Love in Germany.Gwynne Edwards has prepared a new translation of the play, from a literal translation by Jennifer Bakst. Gwynne Edwards is a specialist in Spanish theatre and cinema and, until recently, Professor of Spanish at the University of Aberystwyth, Wales.

Amid the welter of shows about the First World War, Rolf Hochhuth's play is something of a rarity: an epic mix of history lesson, expressionist drama and Germanic Oh! What a Lovely War...Hochhuth has lost none of his capacity for controversy - offers a fascinating portrait of the inexorable march towards war.

Born in West Germany in 1931, Rolf Hochhuth’s provocative first drama, Der Stellvertreter. Ein christliches Trauerspiel (The Deputy, a Christian tragedy, also known as The Representative), accuses Pope Pius XII and the Roman Catholic clergy of tolerating Nazi crimes against the Jews. It received productions worldwide and caused great controversy, as well as recently being adapted for the film Amen. It was produced at the Finborough Theatre in 2006. His second play, Soldiers, initially banned in England, received its world premiere in Berlin in 1967, and received its first UK revival at the Finborough Theatre in 2004. Later works include Guerrillas, The Midwife, The Survivor and the film A Love in Germany.Gwynne Edwards has prepared a new translation of the play, from a literal translation by Jennifer Bakst. Gwynne Edwards is a specialist in Spanish theatre and cinema and, until recently, Professor of Spanish at the University of Aberystwyth, Wales.

Amid the welter of shows about the First World War, Rolf Hochhuth's play is something of a rarity: an epic mix of history lesson, expressionist drama and Germanic Oh! What a Lovely War...Hochhuth has lost none of his capacity for controversy - offers a fascinating portrait of the inexorable march towards war.