Jez Conolly is the Head of Student Engagement at the University of Bristol library services. He is the author of Beached Margin: The Role and Representation of the Seaside Resort in British Films and a regular contributor to Big Picture magazine.Caroline Whelan is an independent writer and researcher. Together with Conolly, they are co-editors of the World Film Locations: Dublin and World Film Locations: Reykjavik, both also published by Intellect.

• Maps/ScenesScenes 1–8 – 1897–1958Scenes 9–16 – 1959–1984Scenes 17–24 – 1985–1990Scenes 25–32 – 1990–1997Scenes 33–39 – 1998–2003Scenes 40–46 – 2007–2012EssaysLiverpool: City of the Imagination – Julia HallamA Case of Coup De Foudre: A Producer's Personal Perspective on Liverpool and Film – Roger ShannonWith Hope in Your Heart: Scouse Sport On-Screen – David ParkinsonI Know a Place: Terence Davies's Liverpool – Wendy EverettPlay Rough: The Post-War Liverpools of the Magnet, the Clouded Yellow and Violent Playground – Jacqui MillerThe Last of Liverpool: Liminal Journeys Around the Port City – Les RobertsThis Land's the Place I Love and Here I'll Stay: Merseybeat on Film – Nick Riddle

Jez Conolly is the Head of Student Engagement at the University of Bristol library services. He is the author of Beached Margin: The Role and Representation of the Seaside Resort in British Films and a regular contributor to Big Picture magazine.Caroline Whelan is an independent writer and researcher. Together with Conolly, they are co-editors of the World Film Locations: Dublin and World Film Locations: Reykjavik, both also published by Intellect.

• Maps/ScenesScenes 1–8 – 1897–1958Scenes 9–16 – 1959–1984Scenes 17–24 – 1985–1990Scenes 25–32 – 1990–1997Scenes 33–39 – 1998–2003Scenes 40–46 – 2007–2012EssaysLiverpool: City of the Imagination – Julia HallamA Case of Coup De Foudre: A Producer's Personal Perspective on Liverpool and Film – Roger ShannonWith Hope in Your Heart: Scouse Sport On-Screen – David ParkinsonI Know a Place: Terence Davies's Liverpool – Wendy EverettPlay Rough: The Post-War Liverpools of the Magnet, the Clouded Yellow and Violent Playground – Jacqui MillerThe Last of Liverpool: Liminal Journeys Around the Port City – Les RobertsThis Land's the Place I Love and Here I'll Stay: Merseybeat on Film – Nick Riddle

Jez Conolly is the Head of Student Engagement at the University of Bristol library services. He is the author of Beached Margin: The Role and Representation of the Seaside Resort in British Films and a regular contributor to Big Picture magazine.Caroline Whelan is an independent writer and researcher. Together with Conolly, they are co-editors of the World Film Locations: Dublin and World Film Locations: Reykjavik, both also published by Intellect.

• Maps/ScenesScenes 1–8 – 1897–1958Scenes 9–16 – 1959–1984Scenes 17–24 – 1985–1990Scenes 25–32 – 1990–1997Scenes 33–39 – 1998–2003Scenes 40–46 – 2007–2012EssaysLiverpool: City of the Imagination – Julia HallamA Case of Coup De Foudre: A Producer's Personal Perspective on Liverpool and Film – Roger ShannonWith Hope in Your Heart: Scouse Sport On-Screen – David ParkinsonI Know a Place: Terence Davies's Liverpool – Wendy EverettPlay Rough: The Post-War Liverpools of the Magnet, the Clouded Yellow and Violent Playground – Jacqui MillerThe Last of Liverpool: Liminal Journeys Around the Port City – Les RobertsThis Land's the Place I Love and Here I'll Stay: Merseybeat on Film – Nick Riddle