Deane Williams is associate professor of film and screen studies at Monash University, Melbourne. Constantine Verevis is associate professor of film and screen studies at Monash University, Melbourne.

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• AcknowledgementsIntroduction: ‘Notes for a History of Contexts’Constantine Verevis and Deane Williams1972Experimentalists 1Sylvia Lawson1974Francis Birtles: Cyclist, Explorer, KodakerIna Bertrand1975Feminist CritiqueMeaghan Morris1976Corsetway to Heaven: Looking Back at Picnic at Hanging RockIan HunterEditorial ArticleJohn Tulloch1978Gilda: Images of Women – Notes for DiscussionLesley Stern1979Fetishism in Film ‘Theory’ and ‘Practice’Ian HunterTowards Decolonization: Some Problems and Issues for Film History in AustraliaSylvia LawsonThe Australian Journal of Screen TheoryAdrian MartinIndependent Feminist Filmmaking in AustraliaLesley SternOedipal Opera: The Restless YearsLesley Stern1980EditorialRobert Rothols [as R.R.]1981Stock Shock and SchlockStuart CunninghamFilm and History: Canberra ConferenceAnna GrieveRecent ‘Political’ Documentary: Notes on Union Maids and Harlan County USANoel KingThe Second Australian Film Conference: Theory WearyAdrian MartinThe Second Australian Film Conference, or A Long Way from Lana TurnerBrian McFarlaneEditorialJohn NicollOn ScreenTom O’Regan1982Feminist Film Theory: Reading the TextBarbara Creed‘The Public Wants Features!’: The (Creative?) Underdevelopment of Australian Independent Film Since the 1960sHelen Grace1983Super 8: The Phenomenon Turned EventfulTed CollessIndependent Feminist Filmmaking and the Black HoleFelicity CollinsPornography and Pleasure: The Female SpectatorBarbara CreedThe Australian Film Industry and the Holy Roman EmpireSusan Dermody and Elizabeth JackaCamera Natura: Landscape in Australian Feature FilmsRoss GibsonChanging the Curriculum: The Place of Film in a Department of EnglishNoel KingAustralian Documentary CinemaAlbert MoranThe Practice of ReviewingMeaghan MorrisAustralian Filmmaking: Its Public CirculationTom O’ReganA National Cinema: The Role of the StateSam Rohdie‘Murder, Murder, Dangerous Crime’Bill Routt [as Bill Gent]Remarks on Screen: Introductory Notes for a History of ContextsPaul Willemen1984‘National Identity’ / ‘National History’ / ‘National Film’: The Australian ExperienceIna BertrandThe Australian Journal of Screen TheoryFelicity CollinsAfter Futur◊Fall Ross GibsonSecond History and Film Conference ReportSally Stockbridge1985Glimpses of the PresentPhilip BrophyDon Ranvaud: Of Framework and FestivalsRolando CaputoYondering: A Reading of Mad Max Beyond ThunderdomeRoss Gibson1987Charles Chauvel: The Last DecadeStuart CunninghamAbout the Editors