Javier Campo is a researcher at CONICET and professor of film aesthetics at UNICEN, in Tandil, Argentina.Humberto Pérez-Blanco is senior lecturer in film theory at the University of the West of England, in Bristol, UK.

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• Introduction: The Place of The Hour of the Furnaces in World Cinema (and in the Political World) Javier Campo and Humberto Pérez-BlancoChapter 1: To Invent Our Revolution: An Aesthetic-Political Analysis of The Hour of the Furnaces Javier CampoChapter 2: Fanon and The Hour of the Furnaces Ignacio Del Valle DávilaChapter 3: A Look from Literature on Fernando Solanas and Octavio Getino’s The Hour of the Furnaces María Amelia García and Teresita María Victoria FuentesChapter 4: Popular Music and Political Militancy in The Hour of the FurnacesTomás Crowder-TaraborrelliChapter 5: The Hour of the Furnaces’ Sexualized HistoryGuillermo OliveraChapter 6: The Hour of the Furnaces, May 68, and the Pesaro International Film Festival Laura E. Ruberto and Kristi M. WilsonChapter 7: Tracing the Winding Road of The Hour of the Furnaces in the First World Mariano MestmanChapter 8: Trails of Ink: An Approximation to the Historiography on The Hour of the Furnaces Pablo PiedrasChapter 9: The Dialogue between The Hour of the Furnaces and the Tradition of Argentine Documentary Clara KrigerChapter 10: Solanas’ Recent Documentaries Magalí Mariano and María Emilia ZariniChapter 11: Experimenting with TV: The Hour of the Furnaces at the Crossroads of Cinematic Experimentalism and Video Art Clara GaravelliChapter 12: The Hour of the Furnaces as an Essay Film Humberto Pérez-BlancoAfterthoughts on The Hour of the Furnaces Michael Chanan

Javier Campo is a researcher at CONICET and professor of film aesthetics at UNICEN, in Tandil, Argentina.Humberto Pérez-Blanco is senior lecturer in film theory at the University of the West of England, in Bristol, UK.

Select Guide Rating

• Introduction: The Place of The Hour of the Furnaces in World Cinema (and in the Political World) Javier Campo and Humberto Pérez-BlancoChapter 1: To Invent Our Revolution: An Aesthetic-Political Analysis of The Hour of the Furnaces Javier CampoChapter 2: Fanon and The Hour of the Furnaces Ignacio Del Valle DávilaChapter 3: A Look from Literature on Fernando Solanas and Octavio Getino’s The Hour of the Furnaces María Amelia García and Teresita María Victoria FuentesChapter 4: Popular Music and Political Militancy in The Hour of the FurnacesTomás Crowder-TaraborrelliChapter 5: The Hour of the Furnaces’ Sexualized HistoryGuillermo OliveraChapter 6: The Hour of the Furnaces, May 68, and the Pesaro International Film Festival Laura E. Ruberto and Kristi M. WilsonChapter 7: Tracing the Winding Road of The Hour of the Furnaces in the First World Mariano MestmanChapter 8: Trails of Ink: An Approximation to the Historiography on The Hour of the Furnaces Pablo PiedrasChapter 9: The Dialogue between The Hour of the Furnaces and the Tradition of Argentine Documentary Clara KrigerChapter 10: Solanas’ Recent Documentaries Magalí Mariano and María Emilia ZariniChapter 11: Experimenting with TV: The Hour of the Furnaces at the Crossroads of Cinematic Experimentalism and Video Art Clara GaravelliChapter 12: The Hour of the Furnaces as an Essay Film Humberto Pérez-BlancoAfterthoughts on The Hour of the Furnaces Michael Chanan

Javier Campo is a researcher at CONICET and professor of film aesthetics at UNICEN, in Tandil, Argentina.Humberto Pérez-Blanco is senior lecturer in film theory at the University of the West of England, in Bristol, UK.

Select Guide Rating

• Introduction: The Place of The Hour of the Furnaces in World Cinema (and in the Political World) Javier Campo and Humberto Pérez-BlancoChapter 1: To Invent Our Revolution: An Aesthetic-Political Analysis of The Hour of the Furnaces Javier CampoChapter 2: Fanon and The Hour of the Furnaces Ignacio Del Valle DávilaChapter 3: A Look from Literature on Fernando Solanas and Octavio Getino’s The Hour of the Furnaces María Amelia García and Teresita María Victoria FuentesChapter 4: Popular Music and Political Militancy in The Hour of the FurnacesTomás Crowder-TaraborrelliChapter 5: The Hour of the Furnaces’ Sexualized HistoryGuillermo OliveraChapter 6: The Hour of the Furnaces, May 68, and the Pesaro International Film Festival Laura E. Ruberto and Kristi M. WilsonChapter 7: Tracing the Winding Road of The Hour of the Furnaces in the First World Mariano MestmanChapter 8: Trails of Ink: An Approximation to the Historiography on The Hour of the Furnaces Pablo PiedrasChapter 9: The Dialogue between The Hour of the Furnaces and the Tradition of Argentine Documentary Clara KrigerChapter 10: Solanas’ Recent Documentaries Magalí Mariano and María Emilia ZariniChapter 11: Experimenting with TV: The Hour of the Furnaces at the Crossroads of Cinematic Experimentalism and Video Art Clara GaravelliChapter 12: The Hour of the Furnaces as an Essay Film Humberto Pérez-BlancoAfterthoughts on The Hour of the Furnaces Michael Chanan