Performing Arts in Prisons

Creative Perspectives

Inbunden, Engelska, 2019

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Beskrivning

Across the world, performing arts programmes are increasing in number, scope and professionalism. They attract increasing academic and media attention. Theoretical and applied research, organizational evaluation reports, documentary films and journalism are detailing prison arts and creating recognition that this body of work is becoming a valued part of the correctional enterprise. There is a growing body of evidence that suggests music, theatre, poetry and dance can contribute to prisoner wellbeing, management, rehabilitation and reintegration. Performing Arts in Prisons: Creative Perspectives explores prison arts in Australia, the United States, the United Kingdom and Chile, and creates a new framework for understanding its practices.

Produktinformation

Utgivningsdatum:2019-07-15
Mått:178 x 229 x 17 mm
Vikt:649 g
Format:Inbunden
Språk:Engelska
Antal sidor:278
Förlag:Intellect
ISBN:9781783209972

Utforska kategorier

Konstböcker inom Kultur
Sociologi inom Samhälle och politik

Mer om författaren

Professor Michael Balfour is Professor of Theatre and Performance at the University of New South Wales, Sydney.Brydie-Leigh Bartleet is Director of the Queensland Conservatorium Research Centre.Linda Davey is a psychologist, theatre-maker, arts educator and academic, and was Research Fellow with the Captive Audiences project based at Griffith University.John Rynne is Associate Professor in the School of Criminology and Criminal Justice at Griffith University.Huib Schippers is Affiliate Professor of music education at the University of Washington School of Music.

Innehållsförteckning

Notes on ContributorsPrefaceIntroduction: Performing arts in prisons - creative perspectivesMicheal Balfour, Brydie-Leigh Bartleet, Linda Davey, John Rynne and Huib SchippersChapter 1: A correctional perspective on the creative arts in prisonsAndrew DayChapter 2: Geese Theatre Company - 30 years onLouise Heywood, Andy Watson MBE and Michael BalfourChapter 3: One Mob Different Country: First Peoples of Australia dance in Darwin PrisonJohn Rynne, Dennis Lew Fatt and Brett SchroderChapter 4: 'This place is full of drama queens': Reflecting on the value of drama in a women's prisonSarah WoodlandChapter 5: Through the looking glass: A voice from the inside Anya (pseudonym)Chapter 6: Breaking the fifth wall: How performance might assist desistance from crimeLinda DaveyChapter 7: Drumming interventions in Australian prisons: Insights from the Rhythm2Recovery modelSimon Faulkner and Brydie-Leigh BartleetChapter 8: Arts in Corrections New ZealandJacqui MoyesChapter 9: The play's the thing: Performance in Prison ShakespeareRob PensalfiniChapter 10: 'Heart and heartbeat': Working beyond prison theatre, performing protagonismo social in the real worldPenelope GlassChapter 11: 'Strategies for success': Trusting the power of the artsMaud ClarkeChapter 12: Performing arts activities with hopes to build positive self-identity, heal harms and broaden the US public's perceptions of people inside prisonsMary L. CohenChapter 13: Unlocked: Prison poetry workshops as a key to engaging inmatesJohanna Featherstone and Huib SchippersChapter 14: 'Music is the colour of my skin': The story of the Murru BandDudley Billing and Dave PalmerConcluding Reflections Micheal Balfour, Brydie-Leigh Bartleet, Linda Davey, John Rynne and Huib SchippersIndex