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    1. Skönlitteratur
    2. Poesi

    Sonnets

    AvWilliam Shakespeare

    Häftad, Engelska, 2023

    Del i serien Vintage Classics Love Poems

    173 kr

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    Beskrivning

    Love sonnets are for romantics, starry-eyed lovers and ardent hearts. And Shakespeare's sonnets are the best ever written. But this is why they are also for cynics, for star-crossed lovers and for those who know the anguish of unrequited love.Some appear to be written to a young man, some to a woman. And although the poems are full of mystery - why did Shakespeare write them, and to whom? - each one speaks to us from across the centuries of love, hate and the intensity of being alive.INTRODUCED BY ANDREW McMILLAN'This is a crazy, all-consuming, feverish and sweaty love; love, in all its uncut, full-strength intensity; an adolescent love' Don Paterson, Guardian

    Produktinformation

    • Utgivningsdatum:2023-01-19
    • Mått:130 x 176 x 13 mm
    • Vikt:140 g
    • Format:Häftad
    • Språk:Engelska
    • Serie:Vintage Classics Love Poems
    • Antal sidor:176
    • Förlag:Vintage Publishing
    • ISBN:9781784878238

    Utforska kategorier

    • Poesi inom Skönlitteratur
    • Litteraturvetenskap inom Skönlitteratur

    Mer om författaren

    William Shakespeare (Author) William Shakespeare was born in Stratford-upon-Avon in Warwickshire, and was baptised on 26 April 1564. His father was a glove maker and wool merchant and his mother, Mary Arden, was the daughter of a well-to-do local land owner. Shakespeare was probably educated in Stratford’s grammar school. In 1582 he married Anne Hathaway, and the couple had a daughter the following year and twins in 1585.Shakespeare’s theatrical life seems to have commenced around 1590. We do know that he was part of the Lord Chamberlain’s Company, which was renamed the King’s Company in 1603 when James I succeeded to the throne. The Company acquired interests in two theatres in the Southwark area of London, near the banks of the Thames - the Globe and the Blackfriars.Shakespeare’s poetry was published before his plays, with two poems appearing in 1593 and 1594, dedicated to his patron Henry Wriothesley, Earl of Southampton. Most of Shakespeare’s sonnets were probably written at this time as well. Records of Shakespeare’s plays begin to appear in 1594, and he produced roughly two a year until around 1611. His earliest plays include Henry VI and Titus Andronicus. A Midsummer Night’s Dream, The Merchant of Venice and Richard II all date from the mid to late 1590s. Some of his most famous tragedies were written in the early 1600s; these include Hamlet, Othello, King Lear, Macbeth and Antony & Cleopatra. His late plays, often known as the Romances, date from 1608 onwards and include The Tempest.Shakespeare died on 23 April 1616 and was buried in Holy Trinity Church in Stratford. The first collected edition of his works was published in 1623 and is known as ‘the First Folio’.Andrew McMillan (Introducer) Andrew McMillan's first collection, physical, was the first poetry collection to win the Guardian First Book Award; it also won a Somerset Maugham Award, an Eric Gregory Award, a Northern Writers' Award and the Aldeburgh First Collection Prize. His second collection, playtime, won the inaugural Polari Prize, and his most recent collection is pandemonium. His debut novel, Pity, was published by Canongate in 2024. McMillan is a Senior Lecturer at the Manchester Writing School at Manchester Metropolitan University and a Fellow of the Royal Society of Literature.

    Recensioner i media

    The great master who knew everything...an unspeakable source of delight—Charles DickensEvery age has reinvented the Bard in its own image. Renaissance Man or post-modern angst... Shakespeare haunts our language—IndependentShakespeare was the most consummate genius of all time—Peter AckroydDante and Shakespeare divide the modern world between them, there is no third—T.S. EliotEvery single character in Shakespeare is as much an Individual as those in Life itself—Alexander PopeShakespeare is the best thing that ever happened to this country—Roy HattersleyShakespeare modernised the form of the sonnet, and transformed it from a stylised, courtly love shtick to a fluent and flexible form that could turn itself to any subject—Don Paterson, Guardian