Dr SALVATORE VITALE completed his MA in Classical Literature and PhD in Classical Archaeology at the University of Pisa in 2001 and 2007. After his PhD, Dr Vitale held post-doctoral and research fellowships at the Universities of Calabria, Cincinnati, and Pisa and at the Italian Archaeological School at Athens. Dr Vitale has taught Aegean Archaeology at the University of Milan and the Italian Archaeological School at Athens, as well as Greek and Roman Archaeology at the University of Pisa. At Pisa, he has also served as one of the editors of the journal ΑΓΩΓΗ. Since 2009, Dr Vitale has been the director of the ‘Serraglio, Eleona, and Langada Archaeological Project’ (SELAP), a research endeavour under the auspices of the Italian Archaeological School at Athens. In addition, he is currently a senior staff and a chief pottery expert for the Mitrou Archaeological Project in Phthiotida and the Palace of Nestor Excavations at Pylos.

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• Parte 1: Testo; Prefazione ed argomento della ricerca; Capitolo 1. Terminologia e classificazione; Capitolo 2. Gli scavi di Morricone nel “Serraglio”; Capitolo 3. Esame dei contesti della Fase III:1; Capitolo 4. Cronologia dei vasi erratici di “tradizione mista”; Capitolo 5. Analisi del materiale frammentario; Capitolo 6. Le ceramiche della “tradizione mista” Discussione ed interpretazione; Capitolo 7. Conclusioni finali; Bibliografia; Parte 2: Tabelle; Parte 3: Illustrazioni

Dr SALVATORE VITALE completed his MA in Classical Literature and PhD in Classical Archaeology at the University of Pisa in 2001 and 2007. After his PhD, Dr Vitale held post-doctoral and research fellowships at the Universities of Calabria, Cincinnati, and Pisa and at the Italian Archaeological School at Athens. Dr Vitale has taught Aegean Archaeology at the University of Milan and the Italian Archaeological School at Athens, as well as Greek and Roman Archaeology at the University of Pisa. At Pisa, he has also served as one of the editors of the journal ΑΓΩΓΗ. Since 2009, Dr Vitale has been the director of the ‘Serraglio, Eleona, and Langada Archaeological Project’ (SELAP), a research endeavour under the auspices of the Italian Archaeological School at Athens. In addition, he is currently a senior staff and a chief pottery expert for the Mitrou Archaeological Project in Phthiotida and the Palace of Nestor Excavations at Pylos.

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• Parte 1: Testo; Prefazione ed argomento della ricerca; Capitolo 1. Terminologia e classificazione; Capitolo 2. Gli scavi di Morricone nel “Serraglio”; Capitolo 3. Esame dei contesti della Fase III:1; Capitolo 4. Cronologia dei vasi erratici di “tradizione mista”; Capitolo 5. Analisi del materiale frammentario; Capitolo 6. Le ceramiche della “tradizione mista” Discussione ed interpretazione; Capitolo 7. Conclusioni finali; Bibliografia; Parte 2: Tabelle; Parte 3: Illustrazioni

Dr SALVATORE VITALE completed his MA in Classical Literature and PhD in Classical Archaeology at the University of Pisa in 2001 and 2007. After his PhD, Dr Vitale held post-doctoral and research fellowships at the Universities of Calabria, Cincinnati, and Pisa and at the Italian Archaeological School at Athens. Dr Vitale has taught Aegean Archaeology at the University of Milan and the Italian Archaeological School at Athens, as well as Greek and Roman Archaeology at the University of Pisa. At Pisa, he has also served as one of the editors of the journal ΑΓΩΓΗ. Since 2009, Dr Vitale has been the director of the ‘Serraglio, Eleona, and Langada Archaeological Project’ (SELAP), a research endeavour under the auspices of the Italian Archaeological School at Athens. In addition, he is currently a senior staff and a chief pottery expert for the Mitrou Archaeological Project in Phthiotida and the Palace of Nestor Excavations at Pylos.

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• Parte 1: Testo; Prefazione ed argomento della ricerca; Capitolo 1. Terminologia e classificazione; Capitolo 2. Gli scavi di Morricone nel “Serraglio”; Capitolo 3. Esame dei contesti della Fase III:1; Capitolo 4. Cronologia dei vasi erratici di “tradizione mista”; Capitolo 5. Analisi del materiale frammentario; Capitolo 6. Le ceramiche della “tradizione mista” Discussione ed interpretazione; Capitolo 7. Conclusioni finali; Bibliografia; Parte 2: Tabelle; Parte 3: Illustrazioni