Dr Jillian Huntley is a Research Fellow at the Place Evolution Rock Art Heritage Unit in the Centre for Social and Cultural Research at Griffith University, Australia. She specialises in the physiochemical characterization of rock art and other archaeological pigments and has been privileged in recent years to work on high-profile Australasian finds.Dr George Nash is an Associate Professor at the Museum of Prehistoric Art, Quaternary and Prehistory Geosciences Centre, Maçao, Portugal. George has been a professional archaeologist for the past 25 years and has undertaken extensive fieldwork on prehistoric rock-art and mobility art in Chile, Denmark, Indonesia, Malaysia, Norway, Sardinia, Spain and Sweden. In addition to fieldwork, he has also written and presented programmes on European rock-art and contemporary graffiti for the BBC.

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• Foreword – by Claire SmithPrologue – by Jillian HuntleyIntroduction – by Jo McDonaldAESTHETICSRock Art and the Possibility of Sensitive Cognition in the Ancient Americas – by Reinaldo Morales Jr. and Howard RisattiRock art in the landscape: John Clegg’s path – by Thomas HeydAPPLICATIONSRock engravings in western New South Wales: A comparative analysis of the Panaramitee Tradition site of Sturts Meadows – by Natalie R. FranklinThe Rock Art of Aboriginal Australia from Pleistocene to the Present – by Josephine FloodThe contemporary cultural significance of Gallery Rock, a petroglyph complex recently found in Wollemi National Park, New South Wales, Australia – by Paul S.C. Taçon, Wayne Brennan, Graham King, Dave Pross and Matthew KelleherARTISTRYDegrees of change: amendment and alteration in Australian Aboriginal rock art – by Robert G. GunnOptical illusions and perceptual determinants in rock art – by Ben WatsonSymbolism, aesthetics, and narrative in rock art – by Jamie HampsonANARCHYOn thinking outside the square as a strategy for seeing into the innermost circle or how a reading of graffiti may help to penetrate the cave wall with thanks to John Clegg – by Margaret BullenBreaking the House Rules: The Politics and Grammar of Disrespecting Contemporary Graffiti – by George NashAPPENDICESA Touching Debate – by compiled by Jane KolberJohn Clegg at the antipodes of Palaeolithic representations: the Panaramitee Style – by Denis VialouUniversity Administrators and Mathesis – by Christopher ChippindaleParting Remarks – by Jillian Huntley and George NashJohn Clegg’s published worksSelect sculptural works by John Clegg

Dr Jillian Huntley is a Research Fellow at the Place Evolution Rock Art Heritage Unit in the Centre for Social and Cultural Research at Griffith University, Australia. She specialises in the physiochemical characterization of rock art and other archaeological pigments and has been privileged in recent years to work on high-profile Australasian finds.Dr George Nash is an Associate Professor at the Museum of Prehistoric Art, Quaternary and Prehistory Geosciences Centre, Maçao, Portugal. George has been a professional archaeologist for the past 25 years and has undertaken extensive fieldwork on prehistoric rock-art and mobility art in Chile, Denmark, Indonesia, Malaysia, Norway, Sardinia, Spain and Sweden. In addition to fieldwork, he has also written and presented programmes on European rock-art and contemporary graffiti for the BBC.

Select Guide Rating

• Foreword – by Claire SmithPrologue – by Jillian HuntleyIntroduction – by Jo McDonaldAESTHETICSRock Art and the Possibility of Sensitive Cognition in the Ancient Americas – by Reinaldo Morales Jr. and Howard RisattiRock art in the landscape: John Clegg’s path – by Thomas HeydAPPLICATIONSRock engravings in western New South Wales: A comparative analysis of the Panaramitee Tradition site of Sturts Meadows – by Natalie R. FranklinThe Rock Art of Aboriginal Australia from Pleistocene to the Present – by Josephine FloodThe contemporary cultural significance of Gallery Rock, a petroglyph complex recently found in Wollemi National Park, New South Wales, Australia – by Paul S.C. Taçon, Wayne Brennan, Graham King, Dave Pross and Matthew KelleherARTISTRYDegrees of change: amendment and alteration in Australian Aboriginal rock art – by Robert G. GunnOptical illusions and perceptual determinants in rock art – by Ben WatsonSymbolism, aesthetics, and narrative in rock art – by Jamie HampsonANARCHYOn thinking outside the square as a strategy for seeing into the innermost circle or how a reading of graffiti may help to penetrate the cave wall with thanks to John Clegg – by Margaret BullenBreaking the House Rules: The Politics and Grammar of Disrespecting Contemporary Graffiti – by George NashAPPENDICESA Touching Debate – by compiled by Jane KolberJohn Clegg at the antipodes of Palaeolithic representations: the Panaramitee Style – by Denis VialouUniversity Administrators and Mathesis – by Christopher ChippindaleParting Remarks – by Jillian Huntley and George NashJohn Clegg’s published worksSelect sculptural works by John Clegg

Dr Jillian Huntley is a Research Fellow at the Place Evolution Rock Art Heritage Unit in the Centre for Social and Cultural Research at Griffith University, Australia. She specialises in the physiochemical characterization of rock art and other archaeological pigments and has been privileged in recent years to work on high-profile Australasian finds.Dr George Nash is an Associate Professor at the Museum of Prehistoric Art, Quaternary and Prehistory Geosciences Centre, Maçao, Portugal. George has been a professional archaeologist for the past 25 years and has undertaken extensive fieldwork on prehistoric rock-art and mobility art in Chile, Denmark, Indonesia, Malaysia, Norway, Sardinia, Spain and Sweden. In addition to fieldwork, he has also written and presented programmes on European rock-art and contemporary graffiti for the BBC.

Select Guide Rating

• Foreword – by Claire SmithPrologue – by Jillian HuntleyIntroduction – by Jo McDonaldAESTHETICSRock Art and the Possibility of Sensitive Cognition in the Ancient Americas – by Reinaldo Morales Jr. and Howard RisattiRock art in the landscape: John Clegg’s path – by Thomas HeydAPPLICATIONSRock engravings in western New South Wales: A comparative analysis of the Panaramitee Tradition site of Sturts Meadows – by Natalie R. FranklinThe Rock Art of Aboriginal Australia from Pleistocene to the Present – by Josephine FloodThe contemporary cultural significance of Gallery Rock, a petroglyph complex recently found in Wollemi National Park, New South Wales, Australia – by Paul S.C. Taçon, Wayne Brennan, Graham King, Dave Pross and Matthew KelleherARTISTRYDegrees of change: amendment and alteration in Australian Aboriginal rock art – by Robert G. GunnOptical illusions and perceptual determinants in rock art – by Ben WatsonSymbolism, aesthetics, and narrative in rock art – by Jamie HampsonANARCHYOn thinking outside the square as a strategy for seeing into the innermost circle or how a reading of graffiti may help to penetrate the cave wall with thanks to John Clegg – by Margaret BullenBreaking the House Rules: The Politics and Grammar of Disrespecting Contemporary Graffiti – by George NashAPPENDICESA Touching Debate – by compiled by Jane KolberJohn Clegg at the antipodes of Palaeolithic representations: the Panaramitee Style – by Denis VialouUniversity Administrators and Mathesis – by Christopher ChippindaleParting Remarks – by Jillian Huntley and George NashJohn Clegg’s published worksSelect sculptural works by John Clegg