John Edgar Browning, Professor of Liberal Arts, Savannah College of Art and Design (SCAD).Darren Elliott-Smith is Senior Lecturer in Film and Gender at the University of Stirling, Scotland, and is known online as www.queerhorrordoctor.com .

• List of IllustrationsAuthor BiographiesIntroductionPart 1: TRANSFORMING, RE-READING AND RE-MAKING QUEER HORROR1: ‘My Brother’s Creeper’: Towards a Queer (Re-)Reading of Victor Salva’s Jeepers Creepers (2001) – John Edgar Browning2: Queer Cult Performance: Recreating Rocky Horror in the Twenty-First Century – John Lynskey3: Castrating the Queer Vampire in Let the Right One In (2009) and Let Me In (2010) – Darren Elliott-Smith4: ‘Becoming Hannibal’: Identification and Transformation in Queer Horror Television – Ben TyrerPart 2: QUEER PLAYGROUNDS AND ADOLESCENT HORRORS5: ‘What happened to my sweet girl?’: Paranoid and Reparative readings of Queer Subjectivity in Black Swan (2010) and Jack and Diane (2012) – Robyn Ollett6: ‘A Dream Within a Dream’: Children’s ‘Horror’ Television and Lesbianism in the World of Marceline the Vampire Queen – Simon Bacon7: Abjection, Queer Bodies and Grotesque Doppelgängers in Jack and Diane and The Nature of Nicholas – Fernando Gabriel Pagnoni Berns and Mariana Zárate8: At the Edges of (queer) Time and Space: Atemporality, Adolescence, and Abjection in Final Destination – Christopher ClarkPart 3: BADASS WITCHES AND QUEER WOLVES9: ‘If you look in the face of evil, evil’s gonna look right back at you’: Anthologising Supernatural Sexualities on American Horror Story: Coven – Andrew J. Owens.10: Like and Lycanthropy: The New Pack Werewolf According to Tyler, Tyler and Taylor – Tim Stafford11: ‘Unspeakable Acts’: Coming Out as Werewolf – Lisa Metherell.12: ‘Sisters United’: Feminist Nostalgia, Queer Spectatorship, and the Radical Witch Politics of Rob Zombie’s The Lords of Salem – Ben Raphael SherSelected Bibliography

John Edgar Browning, Professor of Liberal Arts, Savannah College of Art and Design (SCAD).Darren Elliott-Smith is Senior Lecturer in Film and Gender at the University of Stirling, Scotland, and is known online as www.queerhorrordoctor.com .

• List of IllustrationsAuthor BiographiesIntroductionPart 1: TRANSFORMING, RE-READING AND RE-MAKING QUEER HORROR1: ‘My Brother’s Creeper’: Towards a Queer (Re-)Reading of Victor Salva’s Jeepers Creepers (2001) – John Edgar Browning2: Queer Cult Performance: Recreating Rocky Horror in the Twenty-First Century – John Lynskey3: Castrating the Queer Vampire in Let the Right One In (2009) and Let Me In (2010) – Darren Elliott-Smith4: ‘Becoming Hannibal’: Identification and Transformation in Queer Horror Television – Ben TyrerPart 2: QUEER PLAYGROUNDS AND ADOLESCENT HORRORS5: ‘What happened to my sweet girl?’: Paranoid and Reparative readings of Queer Subjectivity in Black Swan (2010) and Jack and Diane (2012) – Robyn Ollett6: ‘A Dream Within a Dream’: Children’s ‘Horror’ Television and Lesbianism in the World of Marceline the Vampire Queen – Simon Bacon7: Abjection, Queer Bodies and Grotesque Doppelgängers in Jack and Diane and The Nature of Nicholas – Fernando Gabriel Pagnoni Berns and Mariana Zárate8: At the Edges of (queer) Time and Space: Atemporality, Adolescence, and Abjection in Final Destination – Christopher ClarkPart 3: BADASS WITCHES AND QUEER WOLVES9: ‘If you look in the face of evil, evil’s gonna look right back at you’: Anthologising Supernatural Sexualities on American Horror Story: Coven – Andrew J. Owens.10: Like and Lycanthropy: The New Pack Werewolf According to Tyler, Tyler and Taylor – Tim Stafford11: ‘Unspeakable Acts’: Coming Out as Werewolf – Lisa Metherell.12: ‘Sisters United’: Feminist Nostalgia, Queer Spectatorship, and the Radical Witch Politics of Rob Zombie’s The Lords of Salem – Ben Raphael SherSelected Bibliography