Bokus
Stephen K. Levine - Philosophy of Expressive Arts Therapy, Häftad

Häftad, Engelska, 2019

Philosophy of Expressive Arts Therapy

Poiesis and the Therapeutic Imagination

Av Stephen K. Levine

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Beskrivning
Laying the philosophical foundations of expressive arts therapy, this book highlights the role and importance of poiesis, the art of 'making' as a response to the world, in the expressive arts therapies as well as our own lives. The concept of poiesis was originally developed and brought into the field by Stephen K. Levine. It is a perspective that restores the primacy of the arts for the arts therapies instead of reducing art-making and art-objects to psychological data. Bringing together different schools of thought in unexpected ways, this book shows how the principles underlying expressive arts therapy have relevance to ethics, politics and social change. It includes chapters on Taoism, improvisation in the arts, and the importance of creativity for understanding human existence.With personal narratives and poetry to help create natural points for the reader to stop and reflect, Philosophy of Expressive Arts Therapy is the perfect guide for those wanting to understand the role of the arts and art-making in life and in therapeutic change.
Produktinformation
  • Utgivningsdatum: 2019-07-18
  • Mått: 152 x 224 x 16 mm
  • Vikt: 270 g
  • Format: Häftad
  • Språk: Engelska
  • Antal sidor: 176
  • Förlag: Jessica Kingsley Publishers
  • Medarbetare: Catherine Hyland Moon
  • ISBN: 9781787750050
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Stephen K. Levine is Professor Emeritus at York University in Toronto and Founding Dean of the Doctoral Program in Expressive Arts at the European Graduate School, Switzerland. He has authored and edited many books in the field of expressive arts therapy and is based in Toronto, Canada.

Recensioner i media

From my close perspective on Stephen K. Levine's work over the past four decades, I applaud Philosophy of Expressive Arts Therapy and its 'integration' of a lifework of poiesis (making). This volume includes seminal essays on trauma, imagination, and beauty together with new and timely writings on identity and relationships with China and East Asia. I have always admired Levine's unique and dogged affirmation of the productive role of breaking to make anew, described here as 'unintegration', and its vital place in creative expression. I am struck by how he so clearly connects this alchemical process to our common commitment to the classical Chinese emphasis of creating ourselves through artistic expression. Among the book's many achievements is the insistence that the creation of a person, a community, and a world is ongoing, never finished and always transcending fixed identities; it is a process where beauty is the "presence" of engagements with each other and the life we make, now.

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