Muriel Tinel-Temple is currently Associate Lecturer at Birkbeck, University of London and at the University of Roehampton, having previously taught film studies at the University of Paris 3. She is the author of Le cinéaste au travail: autoportraits (Hermann, 2016). Laura Busetta is a Postdoctoral Researcher in Film at the University of Messina. She has published articles on self-representation, Italian cinema, film and visual art. She is now publishing her monograph on the self-portrait film L'autoritratto (Mimesis, 2019).Marlène Monteiro holds a PhD in Film Studies from Birkbeck, University of London. Her doctoral thesis, Exposed Intimacy (2015), focuses on self-representation in film and visual media. Her publications include articles on Sophie Calle, Vincent Dieutre and Mariana Otero.As the three co-founders of the research group «Self-representation in Visual Culture», the editors have participated in conferences and organised several research days and screenings, especially in collaboration with the Birkbeck Institute for the Moving Image.

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• CONTENTS: Laura Rascaroli: Cinewriting the Self: The Letter-Film as Self-Portrait – Dominique Bluher: The Other Portrait: Agnès Varda’s Self-Portraiture – Marlène Monteiro: Vincent Dieutre: The Self-Portrait as Suspended Gesture – Muriel Tinel-Temple: Self-Portraits in Early Video: At Work with the Medium – Alisa Lebow: The Self at a Distance: Simone Fattal’s Autoportrait (1972/2012) – Deborah Toschi/Federica Villa: From Mass Media Studies to Self-Produced Media Studies: Strategies of Self-Portraiture in Pregnancy and Video Diaries – Laura Busetta: The Self-Portrait in Digital Media: Repetition, Manipulation, Update – Gary Kafer: Believing Is Being: Selfies, Referentiality, and the Politics of Belief in Amalia Ulman’s Instagram – William Brown: Self-Administering the Image Virus: Six Months of Selfies.