Irina Ruppo Malone is a graduate of the Hebrew University of Jerusalem, Trinity College Dublin, and the National University of Ireland, Galway, where she teaches courses on Irish and European drama, James Joyce, and contemporary Irish fiction. She is the author of Ibsen and the Irish Revival (2010).

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• CONTENTS: Tore Rem: Is There a Norwegian Ibsen? Ibsen at Home and Abroad - Christopher Murray: Shaw’s Ibsen and the Idea of an Irish Theatre - Christopher Morash: Ibsen in Inish: Lennox Robinson, Ibsen, and the Censorship of Publications Act - Irina Ruppo Malone: Denis Johnston’s Ibsen and Post-Revivalist Ireland - Patrick Burke: Artists and Users in the Later Plays of Ibsen and Friel - Helen Heusner Lojek: Frank McGuinness’s «Only Ibsen of the Western World» - Cynthia Marsh: Making Foreign Theatre or Making Theatre Foreign - Robert Tracy: Rehearsing the 1916 Rising: Theatre Politics and Political Theatre - Nicholas Grene: Chekhov and the Irish Big House - Ros Dixon: «All of Ireland is Our Orchard»: Maria Knebel’s Production of The Cherry Orchard at the Abbey in 1968 - Zsuzsa Csiskai: Tom Murphy’s The Cherry Orchard in the Context of Irish Rewritings of Chekhov.

Irina Ruppo Malone is a graduate of the Hebrew University of Jerusalem, Trinity College Dublin, and the National University of Ireland, Galway, where she teaches courses on Irish and European drama, James Joyce, and contemporary Irish fiction. She is the author of Ibsen and the Irish Revival (2010).

Select Guide Rating

• CONTENTS: Tore Rem: Is There a Norwegian Ibsen? Ibsen at Home and Abroad - Christopher Murray: Shaw’s Ibsen and the Idea of an Irish Theatre - Christopher Morash: Ibsen in Inish: Lennox Robinson, Ibsen, and the Censorship of Publications Act - Irina Ruppo Malone: Denis Johnston’s Ibsen and Post-Revivalist Ireland - Patrick Burke: Artists and Users in the Later Plays of Ibsen and Friel - Helen Heusner Lojek: Frank McGuinness’s «Only Ibsen of the Western World» - Cynthia Marsh: Making Foreign Theatre or Making Theatre Foreign - Robert Tracy: Rehearsing the 1916 Rising: Theatre Politics and Political Theatre - Nicholas Grene: Chekhov and the Irish Big House - Ros Dixon: «All of Ireland is Our Orchard»: Maria Knebel’s Production of The Cherry Orchard at the Abbey in 1968 - Zsuzsa Csiskai: Tom Murphy’s The Cherry Orchard in the Context of Irish Rewritings of Chekhov.

Irina Ruppo Malone is a graduate of the Hebrew University of Jerusalem, Trinity College Dublin, and the National University of Ireland, Galway, where she teaches courses on Irish and European drama, James Joyce, and contemporary Irish fiction. She is the author of Ibsen and the Irish Revival (2010).

Select Guide Rating

• CONTENTS: Tore Rem: Is There a Norwegian Ibsen? Ibsen at Home and Abroad - Christopher Murray: Shaw’s Ibsen and the Idea of an Irish Theatre - Christopher Morash: Ibsen in Inish: Lennox Robinson, Ibsen, and the Censorship of Publications Act - Irina Ruppo Malone: Denis Johnston’s Ibsen and Post-Revivalist Ireland - Patrick Burke: Artists and Users in the Later Plays of Ibsen and Friel - Helen Heusner Lojek: Frank McGuinness’s «Only Ibsen of the Western World» - Cynthia Marsh: Making Foreign Theatre or Making Theatre Foreign - Robert Tracy: Rehearsing the 1916 Rising: Theatre Politics and Political Theatre - Nicholas Grene: Chekhov and the Irish Big House - Ros Dixon: «All of Ireland is Our Orchard»: Maria Knebel’s Production of The Cherry Orchard at the Abbey in 1968 - Zsuzsa Csiskai: Tom Murphy’s The Cherry Orchard in the Context of Irish Rewritings of Chekhov.