Isabelle Choinière is an international artist, researcher, author, and teacher of contemporary performative practices which integrate new technology. She is affiliate professor and a postdoctoral transdisciplinary researcher at Université du Québec à Montréal.Enrico Pitozzi is a professor in the Department of Arts at the Università di Bologna.Andrea Davidson is an award-winning videographer and new media artist. She is a senior lecturer at the University of Chichester, UK.

'This intensely complex book offers a language that can illuminate the multiplicity of the embodied experiences of the mediated and mediating body. The language simultaneously dissolves and clarifies the psycho-physical boundaries between performer and audience. The complexity is thus transformed into intricacy and amplification.This publication will appeal to practitioner-researchers in the fields of movement and somatic practice, visual arts and performing arts who are grappling with the realities of research creation that is enmeshed in both the body and digital media. Technologists and new media artists may find the precise theoretical application to concrete, body-based and mediated creative works illuminating for their understanding of the parity and fusion of the corporeal and the technological.'

• IntroductionChapter 1: The prism of perception. Corporeality between intermedial stages and environments – Enrico PitozziChapter 2: Seismographies of mediated bodies. A logic of creation – Isabelle ChoinièreChapter 3: The Mediated/Mediating Body – Andrea DavidsonConclusionPostface – Derrick de Kerckhove

Isabelle Choinière is an international artist, researcher, author, and teacher of contemporary performative practices which integrate new technology. She is affiliate professor and a postdoctoral transdisciplinary researcher at Université du Québec à Montréal.Enrico Pitozzi is a professor in the Department of Arts at the Università di Bologna.Andrea Davidson is an award-winning videographer and new media artist. She is a senior lecturer at the University of Chichester, UK.

'This intensely complex book offers a language that can illuminate the multiplicity of the embodied experiences of the mediated and mediating body. The language simultaneously dissolves and clarifies the psycho-physical boundaries between performer and audience. The complexity is thus transformed into intricacy and amplification.This publication will appeal to practitioner-researchers in the fields of movement and somatic practice, visual arts and performing arts who are grappling with the realities of research creation that is enmeshed in both the body and digital media. Technologists and new media artists may find the precise theoretical application to concrete, body-based and mediated creative works illuminating for their understanding of the parity and fusion of the corporeal and the technological.'

• IntroductionChapter 1: The prism of perception. Corporeality between intermedial stages and environments – Enrico PitozziChapter 2: Seismographies of mediated bodies. A logic of creation – Isabelle ChoinièreChapter 3: The Mediated/Mediating Body – Andrea DavidsonConclusionPostface – Derrick de Kerckhove

Isabelle Choinière is an international artist, researcher, author, and teacher of contemporary performative practices which integrate new technology. She is affiliate professor and a postdoctoral transdisciplinary researcher at Université du Québec à Montréal.Enrico Pitozzi is a professor in the Department of Arts at the Università di Bologna.Andrea Davidson is an award-winning videographer and new media artist. She is a senior lecturer at the University of Chichester, UK.

'This intensely complex book offers a language that can illuminate the multiplicity of the embodied experiences of the mediated and mediating body. The language simultaneously dissolves and clarifies the psycho-physical boundaries between performer and audience. The complexity is thus transformed into intricacy and amplification.This publication will appeal to practitioner-researchers in the fields of movement and somatic practice, visual arts and performing arts who are grappling with the realities of research creation that is enmeshed in both the body and digital media. Technologists and new media artists may find the precise theoretical application to concrete, body-based and mediated creative works illuminating for their understanding of the parity and fusion of the corporeal and the technological.'

• IntroductionChapter 1: The prism of perception. Corporeality between intermedial stages and environments – Enrico PitozziChapter 2: Seismographies of mediated bodies. A logic of creation – Isabelle ChoinièreChapter 3: The Mediated/Mediating Body – Andrea DavidsonConclusionPostface – Derrick de Kerckhove