Abbas Khider

David N. Coury is Frankenthal Professor of the Humanities, German, and Global Studies at the University of Wisconsin–Green Bay.Karolin Machtans is Associate Professor of German Studies at Connecticut College.

«Almost two decades into the US War in Iraq and the change of Saddam Hussein’s regime, this timely and rich collection of essays offers a multi-faceted examination of the works of the Iraqi-German author Abbas Khider, one of the rising stars in German literature today. Contextualizing Khider’s novels and non-fictional works in post-9/11 Islamophobia, seen especially in the wake of arrival of over a million refugees in Germany since 2015, Coury and Machtans have brought together a diverse set of voices that revisit many essential questions concerning the multilingual register of German «national» literature in the twenty-first century through filters of migration, politics, and religion. With an illuminating Introduction framing the thoughtful essays, this volume will be of interest to readers of Khider in German and English, contemporary European literature, as well as scholars of Migration and Refugee Studies. The book would also serve as an excellent sourcebook for teaching Khider.»(B. Venkat Mani (Professor of German, University of Wisconsin-Madison), author of Cosmopolitical Claims and Recoding World Literature)

• Contents: Karolin Machtans, Trans. David N. Coury: Interview with Abbas Khider – Katherine Anderson: Productive Ruptures: Trauma as Both a Disruptive and Generative Force in Abbas Khider’s Der falsche Inder and Die Orangen des Präsidenten – Markus Hallensleben: Portraying the Refugee as a Transitional Figure of Plurality: The Performance of Gender and Ethnicity in the Postmigrant Narratives of Abbas Khider’s Der falsche Inder and Ohrfeige – Warda El-Kaddouri: Islam and the Image of God in Abbas Khider’s Der falsche Inder and Ohrfeige – Carolin Müller: The Transience of Prisoners’ Memoirs in Abbas Khider’s Die Orangen des Präsidenten – Sabine Zimmermann: Refuge and Refuse: Waste Imagery in Abbas Khider’s Die Orangen des Präsidenten and Ohrfeige – Jara Schmidt: «[W] enn die anderen rausbekämen, dass ich eine Mannfrau bin»: Grotesque Physicality and Carnivalesque Subversions in Abbas Khider’s Ohrfeige – Beate Baumann and Corinne Puglisi: «German Is My New Tongue»: The Role of (Foreign) Language in the Construction of Identity – Karolin Machtans: Multilingual Aesthetics in Abbas Khider’s Deutsch für alle: Das endgültige Lehrbuch.