Women in Print 1

Artemis Alexiou (Volume Editor) is a Senior Lecturer in Design Studies and Design History at York St John University, UK. She has taught at Manchester School of Art and other HE institutions since 2013. She studied architecture at Oxford Brookes University and graphic design at London Metropolitan University. She holds an AHRC-funded PhD in design, media and women’s history by the Manchester Institute for Research and Innovation in Art and Design, Manchester Metropolitan University. Her research concentrates on late nineteenth-century feminist periodicals, especially to the manner in which texts and paratexts (mainly design, visual and material) co-functioned in relation to gender politics, and other intersecting concepts such as class and ethnicity. She is a member of the Royal Historical Society, and a Fellow of the HEA.Rose Roberto (Volume Editor) is a part-time Lecturer in the School of Humanities and Teaching Resources Librarian at Bishop Grosseteste University, Lincoln, UK. She studied Library and Information Science at the University of California, Los Angeles, and history of the book at the University of Reading. Her current research examines the intersection of visual culture and educational publishing, and the hidden histories related to race, gender and class embedded in the material culture of the transnational book trade during the nineteenth and twentieth centuries. She was series editor for the Art Researchers’ Guides to different cities in the UK and Ireland (2011–2017), and a contributor to the award-winning Edinburgh History of the British and Irish Press, Vol. 2 (Finkelstein, 2020), and Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century (Delamaire and Slauter, 2021). She is a Fellow of the HEA.

• Contents: Rosa Smurra: Women’s Contribution to Manuscript Textbook Production in Thirteenth- and Fourteenth-Century Bologna – Reese Alexandra Irwin: Elizabeth Newbery, Publisher and Bookseller, 1780–1821: A Case Study from the Women’s Print History Project – Hannah Lyons: Letitia Byrne (1779–1849) and the ‘Prejudice Against Employing Women as Engravers’ – Dianne Roman: The Olive Branch and Female Compositors, Writers and Editors, 1836–57 – Patricia Thomas: ‘Choice Type’ and ‘Elegant Founts’: Advertising in Elizabeth Heard’s Truro Printing Office – Erika Lederman: Examples of Art Workmanship: The Victoria and Albert Museum’s Educational Publishing Initiative and Its Female Institutional Photographer – Artemis Alexiou: Late Nineteenth-Century Periodical Texts and Paratexts: The Women’s Penny Paper/ Woman’s Herald (1888–92) – Angela Griffith: Elizabeth Corbet Yeats: Dun Emer and Cuala Presses and Irish ‘Art Printing’, 1903–40 – Anil Aykan Barnbrook: Suffragettes: Radical Design in Action, 1903–30 – Abbey Rees-Hales: ‘The Woman Thoroughly Dominates’: Lene Schneider-Kainer (1885–1971) and Weimar Lesbian Erotica – Jessica Glaser: Beatrice Warde, May Lamberton Becker and ‘Books Across the Sea’.