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    1. Kultur
    2. Konstböcker
    3. Konsthistoria

    Religion and the Work of Art

    AvBryan S. Rennie

    Inbunden, Engelska, 2027

    1 145 kr

    Kommande

    Beskrivning

    In the afterword to Religion and Contemporary Art: A Curious Accord (edited by Ronald Bernier and Rachel Hostetter Smith, 2023), S. Brent Rodriguez-Plate insists that “to understand the religiousness of art, the artwork is often much less important than the work of art,” specifying that, while “artwork” is a noun, in “the work of art,” the term “work” is verbal. There is a tendency endemic in art history and the study of art and religion to remain on the level of content, of analysis of the artwork itself, rather than of its effects.Religion and the Work of Art employs the word “work” in its specifically verbal sense. The volume seeks to investigate what art does and how it works, specifically in respect of religions. While consideration and analysis of artworks themselves is necessary, the further consideration of the work of art is the principle focus of this volume. “Art”is intended in its widest possible sense including conceptual, performative, literary, plastic, audible, and visual arts. Considerations from perspectives as wide-ranging as neuroscience and cognitive science to paleoanthropology and philosophy are included, as are articles on the work of art in specific faith traditions.

    Produktinformation

    • Utgivningsdatum:2027-01-26
    • Mått:156 x 234 x undefined mm
    • Vikt:1 200 g
    • Format:Inbunden
    • Språk:Engelska
    • Antal sidor:500
    • Förlag:Equinox Publishing Ltd
    • ISBN:9781800507876

    Utforska kategorier

    • Konsthistoria inom Kultur

    Mer om författaren

    Bryan S. Rennie (Ph.D., The University of Edinburgh, 1991) taught from 1992 until 2021 at Westminster College, Pennsylvania, where he held the Vira I. Heinz Chair of Religion for 15 years and chaired the department of Religion, History, Philosophy, and Classics for eight years. He has worked extensively on Mircea Eliade, publishing one monograph (Reconstructing Eliade, SUNY Press, 1996) and three edited volumes. He has been keynote speaker at the Korean Association for the History of Religion and the Association for the Study of Eastern Christianity. He received the Mircea Eliade Centennial Medal from Traian Băsescu, the President of Romania, in 2006, and the Hereditary Imperial Medal from H.I.H., The Grand Duchess Maria of Russia in 2014. He was Vice President and Program Chair of the North American Association for the Study of Religion from 2006 to 2009. His volume on religion and art, The Ethology of Religion and Art: Belief as Behavior, was published by Routledge in 2020.

    Innehållsförteckning

    • Table of ContentsArt in the Register of Religious TraditionsChristianity1. The Work of Art in Spiritual Experience, Regina Coupar, Visual artist2. Before and After the Ikon, Stephan Vaneyan, Moscow State University3. The Violated Madonna of Dubai, Frank Bosman, Tilburg School of Catholic Theology, Netherlands4. Polemics in the Streets: The Religious and Anti Religious Work of Graffiti, Joanna Homrighausen, William & Mary, VirginiaIslam5. The Alif and the Ba: The Spirit and the Letter of Islamic Calligraphy, Omid Safi, Duke UniversitySikhism6. Sikh Kīrtan, Gurmat Sangeet, and the Transformation of Sikhī into Sikhism, Conner Singh VanderBeek, Davidson College, North CarolinaHinduism7. Meeting the Eyes of the Deity, Marianne Qvortrup Fibiger, Aarhus UniversityClassical Antiquity8. The Aesthetics of Sacrifice: Sensation and Performance in Ancient Greco- Roman Sacrificial Rituals, Johan Brun Mendes Cederfeldt, Aarhus UniversityContemporary Spirituality9. In Damanhur Everything is Art, Luigi Berzano, University of Turin, and Stambecco Pesco, Damanhur School of MeditActionReligion in the Register of Artists10. Seeing the Earth: Artists and their Visions, Maureen Korp, Historian11. Counter-virtues and the Work of Art in Wolfgang Laib, Jeffrey Kosky, Washington & Lee University, Virginia12. Conjure Aesthetics: Imagining the Entangled Ancestral History of African Americans as Outsider and Insider Artists, Norman Girardot, Lehigh University, Pennsylvania13. The Piper and the Bard: Bob Dylan in the Crack of Dawn, Rachela Permenter, Slippery Rock University, PennsylvaniaThe Philosophical Mode14. Art That Works: Nietzsche’s Figures of Suffering, Zoe Anthony, University of Tampa15. Modern Art as Symbolic Representation: A Critical Analysis of Modernism in Mircea Eliade’s Works, Gabriel Badea, Romanian Academy16. Art, Religion, and the Search for Non Meaning, Gary Kibbins and Eric Chalfant, both at Queen's University, CanadaThe Anthropological Mode17. Gods And Their Mode of Being: Religion and Art Beyond Subjectivity and Metaphysics in Papua New Guinea and Beyond, Ricardo Santos Alexandre, Centre for Research in Anthropology, PortugalThe Ethological Mode18. Very Like Art: Self-Taught Art from an Ethological Perspective, Ellen Dissanayake, Independent scholarThe Neurocognitive Mode19. From Perception to Aesthetics: Recent Neurocognitive Approaches to Art (and Religion), Armin Geertz, Aarhus University20. Music and the Miraculous: The Neurophysiology of Music’s Emotive Meaning, Candace Alcorta, University of Connecticut21. Sensible Affective Knowledge of Imaginary Orders in Art, Rami Gabriel, Columbia College Chicago22. Self-Programming and the Self-Domestication of the Human Species: Are, We Approaching a Fourth Transition? Merlin Donald, Queen's University, CanadaCoda23. Skill and the Sacred: Material Expression and Phenomenal Experience, Bryan S. Rennie