Robert Edgar is Professor of Writing and Popular Culture in the York Centre for Writing based in the School of Humanities at York St John University, UK. He has published Screenwriting (Bloomsbury, 2009), Directing Fiction (Bloomsbury, 2009), The Language of Film (Bloomsbury, 2010 and 2015), The Music Documentary (Routledge, 2013), The Arena Concert (Bloomsbury, 2015), Music, Memory and Memoir (Bloomsbury, 2019), Adaptation for Scriptwriters (Bloomsbury, 2019), and Thomas Hardy and the Folk Horror Tradition (2023). He is co-editing the Routledge Companion to Folk Horror (2023) and Horrifying Children: Hauntology and the Legacy of Children’s Fiction (Bloomsbury, 2024).Helen Pleasance is a Senior Lecturer in Creative Writing at York St John University. She has written on the Moors murders, the spectral form of memoir and music memoirs. She is currently working on a hybrid family memoir about the women in her family and needlework.

• Introduction Fraser Mann, Helen Pleasance, Robert EdgarChapter 1. ‘Is that R2D2 on vocals?’ Me and the 303 , Fraser MannChapter 2. Chipboard and Smoked Glass , Robert EdgarChapter 3. Vinyl Anxiety, Helen PleasanceChapter 4. Shared Records: Memory, Collecting and Generational Stories, Amy McCarthyChapter 5. Professors’ Plays, Ethan CaldwellChapter 6. Vintage DJing at Konrad Tönz, Berlin, Carlo NardiChapter 7. Analogue Lives: BYO Records in a Melbourne Club, Catherine PadmoreChapter 8, Another Dimension, Dawn Amber HarveyChapter 9. White Midi: Memories of an Alba, Matt ColbeckChapter 10. The Party, Guglielmo BottinChapter 11. Rid of Me: Vinyl Records, Personal Histories and the Burden of Collecting, Liam Thomas MaloneyChapter 12. It Landed, Matt LeonardChapter 13. On the Love of House Party DJing, Melissa Bel GilChapter 14. What Do DJs Do? Mike CallanderChapter 15. Sounds Where I Live: Residential Expatriate DJs and Stories Sounding of Saigon, Nguyễn Minh TiếnChapter 16. Freedom and Jazz, Philip ArneillChapter 17. Vinyl Disruptions, Prasad BidayeChapter 18. But How Do I Play Them? Kevin NarrainenChapter 19. Restricted Other, Lucy Sweetman

Robert Edgar is Professor of Writing and Popular Culture in the York Centre for Writing based in the School of Humanities at York St John University, UK. He has published Screenwriting (Bloomsbury, 2009), Directing Fiction (Bloomsbury, 2009), The Language of Film (Bloomsbury, 2010 and 2015), The Music Documentary (Routledge, 2013), The Arena Concert (Bloomsbury, 2015), Music, Memory and Memoir (Bloomsbury, 2019), Adaptation for Scriptwriters (Bloomsbury, 2019), and Thomas Hardy and the Folk Horror Tradition (2023). He is co-editing the Routledge Companion to Folk Horror (2023) and Horrifying Children: Hauntology and the Legacy of Children’s Fiction (Bloomsbury, 2024).Helen Pleasance is a Senior Lecturer in Creative Writing at York St John University. She has written on the Moors murders, the spectral form of memoir and music memoirs. She is currently working on a hybrid family memoir about the women in her family and needlework.

• Introduction Fraser Mann, Helen Pleasance, Robert EdgarChapter 1. ‘Is that R2D2 on vocals?’ Me and the 303 , Fraser MannChapter 2. Chipboard and Smoked Glass , Robert EdgarChapter 3. Vinyl Anxiety, Helen PleasanceChapter 4. Shared Records: Memory, Collecting and Generational Stories, Amy McCarthyChapter 5. Professors’ Plays, Ethan CaldwellChapter 6. Vintage DJing at Konrad Tönz, Berlin, Carlo NardiChapter 7. Analogue Lives: BYO Records in a Melbourne Club, Catherine PadmoreChapter 8, Another Dimension, Dawn Amber HarveyChapter 9. White Midi: Memories of an Alba, Matt ColbeckChapter 10. The Party, Guglielmo BottinChapter 11. Rid of Me: Vinyl Records, Personal Histories and the Burden of Collecting, Liam Thomas MaloneyChapter 12. It Landed, Matt LeonardChapter 13. On the Love of House Party DJing, Melissa Bel GilChapter 14. What Do DJs Do? Mike CallanderChapter 15. Sounds Where I Live: Residential Expatriate DJs and Stories Sounding of Saigon, Nguyễn Minh TiếnChapter 16. Freedom and Jazz, Philip ArneillChapter 17. Vinyl Disruptions, Prasad BidayeChapter 18. But How Do I Play Them? Kevin NarrainenChapter 19. Restricted Other, Lucy Sweetman

Robert Edgar is Professor of Writing and Popular Culture in the York Centre for Writing based in the School of Humanities at York St John University, UK. He has published Screenwriting (Bloomsbury, 2009), Directing Fiction (Bloomsbury, 2009), The Language of Film (Bloomsbury, 2010 and 2015), The Music Documentary (Routledge, 2013), The Arena Concert (Bloomsbury, 2015), Music, Memory and Memoir (Bloomsbury, 2019), Adaptation for Scriptwriters (Bloomsbury, 2019), and Thomas Hardy and the Folk Horror Tradition (2023). He is co-editing the Routledge Companion to Folk Horror (2023) and Horrifying Children: Hauntology and the Legacy of Children’s Fiction (Bloomsbury, 2024).Helen Pleasance is a Senior Lecturer in Creative Writing at York St John University. She has written on the Moors murders, the spectral form of memoir and music memoirs. She is currently working on a hybrid family memoir about the women in her family and needlework.

• Introduction Fraser Mann, Helen Pleasance, Robert EdgarChapter 1. ‘Is that R2D2 on vocals?’ Me and the 303 , Fraser MannChapter 2. Chipboard and Smoked Glass , Robert EdgarChapter 3. Vinyl Anxiety, Helen PleasanceChapter 4. Shared Records: Memory, Collecting and Generational Stories, Amy McCarthyChapter 5. Professors’ Plays, Ethan CaldwellChapter 6. Vintage DJing at Konrad Tönz, Berlin, Carlo NardiChapter 7. Analogue Lives: BYO Records in a Melbourne Club, Catherine PadmoreChapter 8, Another Dimension, Dawn Amber HarveyChapter 9. White Midi: Memories of an Alba, Matt ColbeckChapter 10. The Party, Guglielmo BottinChapter 11. Rid of Me: Vinyl Records, Personal Histories and the Burden of Collecting, Liam Thomas MaloneyChapter 12. It Landed, Matt LeonardChapter 13. On the Love of House Party DJing, Melissa Bel GilChapter 14. What Do DJs Do? Mike CallanderChapter 15. Sounds Where I Live: Residential Expatriate DJs and Stories Sounding of Saigon, Nguyễn Minh TiếnChapter 16. Freedom and Jazz, Philip ArneillChapter 17. Vinyl Disruptions, Prasad BidayeChapter 18. But How Do I Play Them? Kevin NarrainenChapter 19. Restricted Other, Lucy Sweetman