Marthinus J. Havenga (PhD, Stellenbosch University) is a Postdoctoral Research Fellow in the Department of Systematic Theology and Ecclesiology at the Faculty of Theology, Stellenbosch University. He has published articles in the fields of theological aesthetics, historical and constructive theology, and liturgical studies, and has co-edited the volumes Theology from Below: Contributions from Emerging Scholars and Broken Bodies and Redemptive Tables: The Lord’s Supper and Its Theological, Historical and Socio-Political Dimensions.

«Performing Christ stages an entirely original encounter between Balthasar’s theo-dramatic theory and black South African township theatre under apartheid. Unveiling the liberative potential of Balthasar’s Theo-Drama for embodied praxis and sociopolitical critique, the book offers its readers a compelling vision of the abiding nearness of Christ and the generative power of his resurrection.» (Jennifer Newsome Martin, Associate Professor in the Program of Liberal Studies and the Department of Theology, The University of Notre Dame)A new generation of astute and well-informed South African theologians is emerging. Marthinus J. Havenga’s book is an impressive example of its scope, passion, and insight. Well-researched, imaginative and stylishly-written, it demonstrates how inter-disciplinary theological enquiry can inform the transformation of culture, the awakening of social conscience, and the deepening of spiritual vitality.»(John de Gruchy, Emeritus Professor of Christian Studies, University of Cape Town)

• Contents: Balthasar and the Scope of Theology – The Theatre Stage and the World Stage – The Drama of Redemption – South African Protest Theatre.

Marthinus J. Havenga (PhD, Stellenbosch University) is a Postdoctoral Research Fellow in the Department of Systematic Theology and Ecclesiology at the Faculty of Theology, Stellenbosch University. He has published articles in the fields of theological aesthetics, historical and constructive theology, and liturgical studies, and has co-edited the volumes Theology from Below: Contributions from Emerging Scholars and Broken Bodies and Redemptive Tables: The Lord’s Supper and Its Theological, Historical and Socio-Political Dimensions.

«Performing Christ stages an entirely original encounter between Balthasar’s theo-dramatic theory and black South African township theatre under apartheid. Unveiling the liberative potential of Balthasar’s Theo-Drama for embodied praxis and sociopolitical critique, the book offers its readers a compelling vision of the abiding nearness of Christ and the generative power of his resurrection.» (Jennifer Newsome Martin, Associate Professor in the Program of Liberal Studies and the Department of Theology, The University of Notre Dame)A new generation of astute and well-informed South African theologians is emerging. Marthinus J. Havenga’s book is an impressive example of its scope, passion, and insight. Well-researched, imaginative and stylishly-written, it demonstrates how inter-disciplinary theological enquiry can inform the transformation of culture, the awakening of social conscience, and the deepening of spiritual vitality.»(John de Gruchy, Emeritus Professor of Christian Studies, University of Cape Town)

• Contents: Balthasar and the Scope of Theology – The Theatre Stage and the World Stage – The Drama of Redemption – South African Protest Theatre.

Marthinus J. Havenga (PhD, Stellenbosch University) is a Postdoctoral Research Fellow in the Department of Systematic Theology and Ecclesiology at the Faculty of Theology, Stellenbosch University. He has published articles in the fields of theological aesthetics, historical and constructive theology, and liturgical studies, and has co-edited the volumes Theology from Below: Contributions from Emerging Scholars and Broken Bodies and Redemptive Tables: The Lord’s Supper and Its Theological, Historical and Socio-Political Dimensions.

«Performing Christ stages an entirely original encounter between Balthasar’s theo-dramatic theory and black South African township theatre under apartheid. Unveiling the liberative potential of Balthasar’s Theo-Drama for embodied praxis and sociopolitical critique, the book offers its readers a compelling vision of the abiding nearness of Christ and the generative power of his resurrection.» (Jennifer Newsome Martin, Associate Professor in the Program of Liberal Studies and the Department of Theology, The University of Notre Dame)A new generation of astute and well-informed South African theologians is emerging. Marthinus J. Havenga’s book is an impressive example of its scope, passion, and insight. Well-researched, imaginative and stylishly-written, it demonstrates how inter-disciplinary theological enquiry can inform the transformation of culture, the awakening of social conscience, and the deepening of spiritual vitality.»(John de Gruchy, Emeritus Professor of Christian Studies, University of Cape Town)

• Contents: Balthasar and the Scope of Theology – The Theatre Stage and the World Stage – The Drama of Redemption – South African Protest Theatre.