Dr Kate Robertson is an Australian-born, New York-based writer and academic affiliate of the University of Sydney, where she taught for several years. She has written about art, film and culture for a range of publications, including The Atlantic, Senses of Cinema, i-D, Marie Claire, Complex and Vice. Her first book, Identity, Community and Australian Artists, 1890-1914: Paris, London & Further Afield was published with Bloomsbury Academic in 2019. Upcoming book chapters include ‘Connection and reflection through dark storytelling: Filmmakers, Community and Women in Horror Film Festivals, in Bloody Women! Women Directors of Horror (Rowman & Littlefield, forthcoming) and ‘Blood lust: Art, violence and authenticity in horror cinema’, in Through a Glass, Darkly: Screening the Art World (Amsterdam University Press, 2022).

Dr Kate Robertson is an Australian-born, New York-based writer and academic affiliate of the University of Sydney, where she taught for several years. She has written about art, film and culture for a range of publications, including The Atlantic, Senses of Cinema, i-D, Marie Claire, Complex and Vice. Her first book, Identity, Community and Australian Artists, 1890-1914: Paris, London & Further Afield was published with Bloomsbury Academic in 2019. Upcoming book chapters include ‘Connection and reflection through dark storytelling: Filmmakers, Community and Women in Horror Film Festivals, in Bloody Women! Women Directors of Horror (Rowman & Littlefield, forthcoming) and ‘Blood lust: Art, violence and authenticity in horror cinema’, in Through a Glass, Darkly: Screening the Art World (Amsterdam University Press, 2022).