Michael Kerrigan has written widely on both the history of art and literature. Recent books on the English tradition include Paul Nash: Masterpieces of Art. A longstanding interest in the mythic and mystic traditions has given rise to books including Celtic Legends and The Bible: A Dark History, and a chapter on ‘Inklings of Other Worlds, 1946–59’ in The Astounding Illustrated History of Fantasy & Horror. A regular contributor to the Times Literary Supplement, he lives with his family in Edinburgh.

"Reading about artist, satirist and writer William Blake (1757-1827) and you certainly come away thinking he was a renaissance man. He was a contemporary of a lot of famous London writers but only he painted or etched as well, the latter being his formal training. Much of his art was in fantasy, hence my interest in Michael Kerrigan’s book, ‘William Blake’, part of Flame Tree’s ‘Masterpieces Of Art’ books. The first 27 pages outline his history and the 101 pages after devoted to his art in 4 sections ‘Gothic’, ‘Prophetic & Mythological’, ‘Biblical’ and ‘Visionary’ making it an ideal artbook."

Michael Kerrigan has written widely on both the history of art and literature. Recent books on the English tradition include Paul Nash: Masterpieces of Art. A longstanding interest in the mythic and mystic traditions has given rise to books including Celtic Legends and The Bible: A Dark History, and a chapter on ‘Inklings of Other Worlds, 1946–59’ in The Astounding Illustrated History of Fantasy & Horror. A regular contributor to the Times Literary Supplement, he lives with his family in Edinburgh.

"Reading about artist, satirist and writer William Blake (1757-1827) and you certainly come away thinking he was a renaissance man. He was a contemporary of a lot of famous London writers but only he painted or etched as well, the latter being his formal training. Much of his art was in fantasy, hence my interest in Michael Kerrigan’s book, ‘William Blake’, part of Flame Tree’s ‘Masterpieces Of Art’ books. The first 27 pages outline his history and the 101 pages after devoted to his art in 4 sections ‘Gothic’, ‘Prophetic & Mythological’, ‘Biblical’ and ‘Visionary’ making it an ideal artbook."