Listening to the Caribbean

Sounds of Slavery, Revolt, and Race

AvMartin Munro

Häftad, Engelska, 2026

Del 20 i serien Liverpool Studies in International Slavery

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Beskrivning

The primary aim of Listening to the Caribbean: Sounds of Slavery, Revolt, and Race is quite ambitious: to open up the Caribbean to a “sound studies” approach, and to thereby effect a shift in Caribbean studies away from the predominantly visual biases of most scholarly works and towards a fuller understanding of early Caribbean societies through listening in to the past. Paying close attention to auditory elements in written accounts of slavery and revolts allows us to unlock the sounds that are registered and recorded there, so that not only does one gain a more sensorially full understanding of the society, but also to a considerable extent, the voices and subjectivities of the enslaved are brought out of the silence to which they have been largely consigned. Reading texts in this way, listening to the sounds of language, work, festivity, music, laughter, mourning, and warfare, for example, allows one to know better the lives of the enslaved people, and how, counter to the largely visual power of the planters, the people developed a highly sophisticated auditory culture that in large part ensured their survival and indeed their final victories over the institution of slavery.

Produktinformation

Utgivningsdatum:2026-05-01
Mått:156 x 234 x 17 mm
Vikt:344 g
Format:Häftad
Språk:Engelska
Serie:Liverpool Studies in International Slavery
Antal sidor:216
Förlag:Liverpool University Press
ISBN:9781805966333

Utforska kategorier

Slaveri inom Historia och arkeologi

Mer om författaren

Martin Munro is Winthrop-King Professor of French at Florida State University. He previously worked in Scotland, Ireland and Trinidad. His latest academic monograph is The Music of the Future: Sound and Vision in the Caribbean (Oxford, 2024).

Recensioner i media

'Martin Munro complicates the idea that colonial racism functioned primarily through the visual, arguing instead that a battle of the senses played out in Caribbean plantation societies—a battle that pitted a regime of surveillance and punishment shaped by the ocular-centrism of European philosophy against the aural culture of the enslaved and the multiple manifestations of sonic resistance it engendered… Listening to the Caribbean delivers on its promise to sensorially enliven our understanding of Caribbean history… this is an important contribution to the literature on Caribbean history and a strong invitation for others to further engage sound—and the senses more generally—in the study of the region.' - Jérôme Camal, New West Indian Guide

Innehållsförteckning

IntroductionChapter One: The Atlantic Culture of the Ear: Law, Adornment, Dress, BalanceChapter Two: Sounds of SlaveryChapter Three: From Slavery to ResistanceCoda: Sensing Difference, Measuring RaceBibliography