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281 kr
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341 kr
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Breath, Eyes, Memory (1994), the novel born from Edwidge Danticat’s childhood in Haiti and immigration to New York City, was one of the great literary debuts of recent times, marking the emergence of an impressive talent in addition to opening up an entire culture to a broad general readership. This gifted author went on to win the American Book Award in 1999 for her novel, The Farming of Bones (1998), attracting further critical acclaim.
Offering an accessible guide for readers and critics alike, this book is the first publication devoted entirely to Danticat’s unique and remarkable work. It is also distinctive in that it addresses all of her published writing up to The Dew Breaker (2004), including her writing for children, her travel writing, her short fiction, and her novels. The book contains an exclusive interview with Danticat, in which she discusses her recent memoir, Brother, I’m Dying (2007), winner of the National Book Critics Circle Award. It also includes an extensive bibliography.
With contributions from Danticat’s fellow creative writers from both the Caribbean and the United States as well as leading scholars of Caribbean literature, this collection of essays aims to enrich readers’ understanding of the various geographical, literary, and cultural contexts of her work and to demonstrate how it both influences and is influenced by them.
Contributors
Madison Smartt Bell * Myriam J. A. Chancy * Maryse Condé * J. Michael Dash * Charles Forsdick * Mary Gallagher * Régine Michelle Jean-Charles * Carine Mardorossian * Nadève Ménard * Martin Munro * Nick Nesbitt * Mireille Rosello * Renee H. Shea * Évelyne Trouillot * Lyonel Trouillot * Kiera Vaclavik
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In Tropical Apocalypse, Martin Munro argues that since the earliest days of European colonization, Caribbean—and especially Haitian—history has been shaped by apocalyptic events so that the region has, in effect, been living for centuries in an end time without end. By engaging with the contemporary apocalyptic turn in Caribbean studies and lived reality, he not only provides important historical contextualization for a general understanding of apocalypse in the region but also offers an account of the state of Haitian society and culture in the decades before the 2010 earthquake. Inherently interdisciplinary, his work ranges widely through Caribbean and Haitian thought, historiography, political discourse, literature, film, religion, and ecocriticism in its exploration of whether culture in these various forms can shape the future of a country.
The author begins by situating the question of the Caribbean apocalypse in relation to broader, global narratives of the apocalyptic present, notably Slavoj iek''s Living in the End Times. Tracing the evolution of apocalyptic thought in Caribbean literature from Negritude up to the present, he notes the changes from the early work of Aimé Césaire; through an anti-apocalyptic period in which writers such as Frantz Fanon, Antonio Benítez-Rojo, Édouard Glissant, and Michael Dash have placed more emphasis on lived experience and the interrelatedness of cultures and societies; to a contemporary stage in which versions of the apocalyptic reappear in the work of David Scott and Mark Anderson.
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Haitian Literature and the Earthquake of 2010
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Sounds of Slavery, Revolt, and Race
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by Édouard Glissant
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by Édouard Glissant
350 kr
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Sounds of Slavery, Revolt, and Race
483 kr
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Alexis, Depestre, Ollivier, Laferrière, Danticat
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