Vicky Angelaki is Professor in Comparative Literature at Mid Sweden University. Élisabeth Angel-Perez is Professor of English Literature and Drama at Sorbonne University. Clara Escoda is Senior Lecturer in English Literature and Drama at the University of Barcelona.

• Martin Crimp: Timeline of WorkAleks SierzPrefaceVicky Angelaki, Élisabeth Angel-Perez and Clara EscodaThree Attempted Acts (In Lieu of Introduction)The Vanishing PointVicky AngelakiPortrait of the Writer as an AuthorÉlisabeth Angel-PerezMartin Crimp’s Women: Towards a Revolutionary UniversalityClara Escoda1. Martin Crimp – Addressing Today’s Challenges‘Sequences of Magic Rooms’: The Writer in His Own WordsAleks Sierz and Martin Crimp‘What Use to Me Is a Rusting Spike?’: Gender Performativity and Fluidity of Desire in Martin Crimp’s When We Have Sufficiently Tortured Each Other (2019)Clara EscodaEnvironmental Justice and Human Rights: Martin Crimp’s Cruel and Tender and The Rest Will Be Familiar to You from CinemaVicky AngelakiIn the Nightmare of Neoliberalism: Happiness as a Neoliberal Tool of Control in Martin Crimp’s In the Republic of HappinessAlbert Méndez Panadés2. Martin Crimp – The Concept of CommunityMartin Crimp in the Company of European Nobel Laureates Jon Fosse and Elfriede Jelinek: A ComparisonMary Mazzilli‘I begin to wonder if the whole thing might not just possibly be endless’: Martin Crimp’s Aesthetic and Ethical Probing of the Dramatic Medium in Not One of These PeopleAloysia RousseauThe Wizard Behind the Curtain: The Writer and the Written in the Work of Martin CrimpLiz Tomlin3. Martin Crimp – Found in TranslationMaking Room for Music: Crimp’s Operatic DramaturgyÉlisabeth Angel-PerezWriting for Translation: Martin Crimp’s Invitation to TranslateGeraldine BrodieTraces of Martin Crimp on the Italian StageAndrea PeghinelliMartin Crimp: Millennial Challenge for the Greek StageElizabeth Sakellaridou

Vicky Angelaki is Professor in Comparative Literature at Mid Sweden University. Élisabeth Angel-Perez is Professor of English Literature and Drama at Sorbonne University. Clara Escoda is Senior Lecturer in English Literature and Drama at the University of Barcelona.

• Martin Crimp: Timeline of WorkAleks SierzPrefaceVicky Angelaki, Élisabeth Angel-Perez and Clara EscodaThree Attempted Acts (In Lieu of Introduction)The Vanishing PointVicky AngelakiPortrait of the Writer as an AuthorÉlisabeth Angel-PerezMartin Crimp’s Women: Towards a Revolutionary UniversalityClara Escoda1. Martin Crimp – Addressing Today’s Challenges‘Sequences of Magic Rooms’: The Writer in His Own WordsAleks Sierz and Martin Crimp‘What Use to Me Is a Rusting Spike?’: Gender Performativity and Fluidity of Desire in Martin Crimp’s When We Have Sufficiently Tortured Each Other (2019)Clara EscodaEnvironmental Justice and Human Rights: Martin Crimp’s Cruel and Tender and The Rest Will Be Familiar to You from CinemaVicky AngelakiIn the Nightmare of Neoliberalism: Happiness as a Neoliberal Tool of Control in Martin Crimp’s In the Republic of HappinessAlbert Méndez Panadés2. Martin Crimp – The Concept of CommunityMartin Crimp in the Company of European Nobel Laureates Jon Fosse and Elfriede Jelinek: A ComparisonMary Mazzilli‘I begin to wonder if the whole thing might not just possibly be endless’: Martin Crimp’s Aesthetic and Ethical Probing of the Dramatic Medium in Not One of These PeopleAloysia RousseauThe Wizard Behind the Curtain: The Writer and the Written in the Work of Martin CrimpLiz Tomlin3. Martin Crimp – Found in TranslationMaking Room for Music: Crimp’s Operatic DramaturgyÉlisabeth Angel-PerezWriting for Translation: Martin Crimp’s Invitation to TranslateGeraldine BrodieTraces of Martin Crimp on the Italian StageAndrea PeghinelliMartin Crimp: Millennial Challenge for the Greek StageElizabeth Sakellaridou