Reading Texts in Music and Literature of the Long Nineteenth Century

PHYLLIS WELIVER is Professor of English at Saint Louis University. KATHARINE ELLIS is 1684 Professor of Music at the University of Cambridge.

Accessible interdisciplinary models in an enjoyable book, tailored distinctively to a student readership - Michael Allis, Professor of Musicology, University of Leeds

• Introduction: A Guide to this Book - Phyllis Weliver and Katharine Ellis 1. Vernon Lee's "A Wicked Voice" (1890): Music and Queerness in Decadent Fiction - Fraser Riddell2. Conjuring Folk Music: George Sand's The Master Pipers (1853) - Katharine Ellis3. Bands of Mercy Music: A Cultural Study of Victorian Animal Welfare Songs for Children - Alisa Clapp-Itnyre4. The Music of the Women's Suffrage Movement - Christopher Wiley5. Song and the Political Body: William Morris - Elizabeth Helsinger6. Understanding Colonial Mission Hymns and Hybridity - Philip Burnett7. Representing Non-Western Music: Robert Louis Stevenson in Kiribati - Emma Sutton8. Musical Encounters at the Louisiana Lakeside in Charles Jobey's "Le lac Cathahoula" (1856/1861) - Charlotte Bentley9 Critical Dislocations: Champfleury's Richard Wagner (1860) - Jeremy Coleman10. Locating Elgar: Nationalism, Landscape and Musical Biography - Daniel M. Grimley11. Musical Ekphrasis and Intermedial Form in Walter Pater's "Duke Carl of Rosenmold" (1887) - Elicia Clements12. Women, Music and Tennyson's The Princess (1850 edn) - Phyllis Weliver13. Reading Whitman, Hearing Vaughan Williams: Sexuality, National Politics and the Role of the Artist in Society - Sarah CollinsCoda - Shafquat Towheed Index