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    1. Kultur
    2. Musikböcker
    3. Musikhistoria

    Global Perspectives on Women Pianists

    AvJoe Davies,Natasha Loges

    Inbunden, Engelska, 2026

    1 503 kr

    Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

    Beskrivning

    Pathbreaking study that explores the piano as an instrument of globalism, colonialism and mobility and what this meant for women pianists from around the world.This book surveys women pianists around the world. It focuses on the mid-nineteenth to the late-twentieth centuries, an era that witnessed sustained interest in piano performance against a backdrop of technological and socio-political transformation. The authors range from emerging to established scholars, from the Americas, Europe, Africa, and Asia. They take diverse approaches to the piano as an instrument of globalism, colonialism, class, and mobility, within women's lives. These include explorations of mapping, networks, and cultural transfer; feminist examinations of archival traces; the implications of distinctive geographies and socio-political conditions; and the links between gender and genre, including contemporary and experimental musics. The volume offers a bold account of global approaches to women in music and encourages innovative ways of rethinking piano culture. This book makes an important, original scholarly contribution that will be of great interest within and indeed beyond musicology. - Alexander Stefaniak, Professor of Musicology, Washington University in St. Louis. This impressive work [is] sure to be very impactful in the near future, and for many years to come. - Elvia Puccinelli, Professor of Collaborative Piano and Vocal Coaching, University of North Texas. Founder, International Keyboard Collaborative Arts Society. Global Perspectives on Women Pianists [is] an exciting contribution ... to the fields of gender studies, historical musicology, and material history. - Erin Johnson-Williams, Associate Professor in Music Education and Social Justice, University of Southampton. JOE DAVIES is a faculty member in the Arts and Humanities Division at New York University Abu Dhabi. He previously held research and teaching positions at Maynooth University, the University of California, Irvine, and the University of Oxford. NATASHA LOGES is Professor of Musicology at the Hochschule für Musik Freiburg. She was previously Head of Postgraduate Programmes at the Royal College of Music, London. Contributors: Thomas Betzweiser, Anja Bunzel, Joe Davies, Ellen de Vries, Marina Frolova-Walker, Apolline Gouzi, Nuppu Koivisto-Kaasik, Amanda Lalonde, Ji Liu, Natasha Loges, Margaret Lucia, Arthur Macé, Joao Martins, Nahla Mattar, Gülçin Özkişi, Li-Ming Pan, Zixi Ren, Danielle Roman, Valentina Sandu-Dediu, Reeves Shulstad, Gabriele Slizyte, Susanna Välimäki, Chanda VanderHart.

    Produktinformation

    • Utgivningsdatum:2026-03-24
    • Mått:156 x 234 x 27 mm
    • Vikt:801 g
    • Format:Inbunden
    • Språk:Engelska
    • Antal sidor:426
    • Förlag:Boydell & Brewer Ltd
    • ISBN:9781837652037

    Utforska kategorier

    • Musikhistoria inom Kultur
    • Musiker, sångare och grupper inom Kultur
    • Musikinstrument inom Kultur

    Mer om författaren

    JOE DAVIES is a faculty member in the Division of Arts and Humanities at New York University Abu Dhabi. He previously held research and teaching positions at Maynooth University, the University of California, Irvine, and the University of Oxford. NATASHA LOGES is Professor of Musicology at the Hochschule für Musik Freiburg. She was previously Head of Postgraduate Programmes at the Royal College of Music, London.

    Innehållsförteckning

    • List of Illustrations List of Tables List of Music Examples Notes on Contributors Acknowledgements Introduction: On the Global Trail of Women Pianists Joe Davies & Natasha Loges Part 1: East Asia to Africa Chapter 1 | Re-Hearing the First Generation of Twentieth-Century Chinese Women PianistsJi Liu Chapter 2 | 'Women Can Hold Up Half the Sky': Maoist Feminism and Class Politics in the Career of Gu ShengyingZixi Ren Chapter 3 | The Musical Fusion of East and West: Deh-Fang Swen Lai's Piano WorksLi-Ming Pan Chapter 4 | Shifting Meanings of Piano Playing for Women in Late Ottoman and Republican TurkeyGülçin Özkişi Chapter 5 | A Tale of Two Pianos: Women Egyptian Pianists in the Twentieth CenturyNahla Mattar Part 2: Russia to Eastern Europe Chapter 6 | Mapping Russian Female Pianists (1850-1917): From Sabinina to ScriabinaMarina Frolova-Walker Chapter 7 | On the Move: Women Pianist-Composers from Finland and Estonia from the Nineteenth to the Twentieth CenturyNuppu Koivisto-Kaasik & Susanna Välimäki Chapter 8 | (Un)silencing Czech Nineteenth-Century Women PianistsAnja Bunzel Chapter 9 | The 'Misses' of the Romanian Piano Scene: Threads of the German Pedagogical Tradition in BucharestValentina Sandu-Dediu Part 3: Across Western Europe Chapter 10 | Delphine von Schauroth, Class, and the Path of the ArtistAmanda Lalonde Chapter 11 | Women Recording Piano Rolls: A Case Study on Philipps DucaThomas Betzwieser Chapter 12 | Narrating Women Pianists' Careers in Interwar France through Simone Plé's Le Rôle des femmes dans les carrières musicalesApolline Gouzi and Arthur Macé Chapter 13 | The Transantlantic Lives of Gaby CasadesusGabriele Slizyte Chapter 14 | Harriet Cohen's British-Jewish Identity on the International StageDanielle Roman Part 4: South to North America Chapter 15 | 'Make Way, I'm Coming Through': The Legacy of Chiquinha GonzagaJoao Martins Chapter 16 | Marie Majoie Hajary: A Surinamese Family History as Podium Identity and Source of InspirationEllen de Vries Chapter 17 | Rosa García Ascot: Spanish Pianist-Composer and ExileMargaret Lucia Chapter 18 | Visibility, Historiography, and Gender: Gwendolyn Koldofsky's Impact on North American Song AccompanimentChanda VanderHart Chapter 19 | Flourishing Musical Lives and the Impact of Enduring Relationships: Grete Sultan and Tui St George TuckerReeves Shulstad