Lynn Nottage is a double Pulitzer Prize-winning playwright and screenwriter. Her plays include: Clyde's; Mlima's Tale; Sweat (winner of the Pulitzer Prize); By the Way, Meet Vera Stark; Ruined (winner of the Pulitzer Prize); Intimate Apparel; Fabulation; Crumbs from the Table of Joy; Las Meninas; Mud, River, Stone; Por'knockers and POOF!Nottage was the recipient of the 2010 Steinberg Distinguished Playwright Award, a MacArthur Foundation 'Genius' Grant, the Dramatists Guild Hull-Warriner Award, the inaugural Horton Foote Prize for Outstanding New American Play (for Ruined), the Lee Reynolds Award and the Jewish World Watch iWitness Award. Her other honours include the Madge Evans and Sidney Kingsley Award, the National Black Theatre Festival's August Wilson Playwriting Award, the 2005 Guggenheim Grant for Playwriting, the 2004 PEN/Laura Pels Award, and fellowships from the Lucille Lortel Foundation, the Manhattan Theatre Club, New Dramatists and New York Foundation for the Arts.She is a co-founder and producer at Market Road Films LLC, a film production company.

'Lynn Nottage has packed so much life, love and history into her panoramic memory play… No matter how pain-filled and obstacle-ridden this tale of the coming-of-age of an adolescent African-American girl in 1950s Brooklyn might be, what drives this play is the pervasive sense of life as a great and exhilarating feast – a cornucopia of passion, imagination, knowledge, experience and yes, confusion, too'

Lynn Nottage is a double Pulitzer Prize-winning playwright and screenwriter. Her plays include: Clyde's; Mlima's Tale; Sweat (winner of the Pulitzer Prize); By the Way, Meet Vera Stark; Ruined (winner of the Pulitzer Prize); Intimate Apparel; Fabulation; Crumbs from the Table of Joy; Las Meninas; Mud, River, Stone; Por'knockers and POOF!Nottage was the recipient of the 2010 Steinberg Distinguished Playwright Award, a MacArthur Foundation 'Genius' Grant, the Dramatists Guild Hull-Warriner Award, the inaugural Horton Foote Prize for Outstanding New American Play (for Ruined), the Lee Reynolds Award and the Jewish World Watch iWitness Award. Her other honours include the Madge Evans and Sidney Kingsley Award, the National Black Theatre Festival's August Wilson Playwriting Award, the 2005 Guggenheim Grant for Playwriting, the 2004 PEN/Laura Pels Award, and fellowships from the Lucille Lortel Foundation, the Manhattan Theatre Club, New Dramatists and New York Foundation for the Arts.She is a co-founder and producer at Market Road Films LLC, a film production company.

'Lynn Nottage has packed so much life, love and history into her panoramic memory play… No matter how pain-filled and obstacle-ridden this tale of the coming-of-age of an adolescent African-American girl in 1950s Brooklyn might be, what drives this play is the pervasive sense of life as a great and exhilarating feast – a cornucopia of passion, imagination, knowledge, experience and yes, confusion, too'

Lynn Nottage is a double Pulitzer Prize-winning playwright and screenwriter. Her plays include: Clyde's; Mlima's Tale; Sweat (winner of the Pulitzer Prize); By the Way, Meet Vera Stark; Ruined (winner of the Pulitzer Prize); Intimate Apparel; Fabulation; Crumbs from the Table of Joy; Las Meninas; Mud, River, Stone; Por'knockers and POOF!Nottage was the recipient of the 2010 Steinberg Distinguished Playwright Award, a MacArthur Foundation 'Genius' Grant, the Dramatists Guild Hull-Warriner Award, the inaugural Horton Foote Prize for Outstanding New American Play (for Ruined), the Lee Reynolds Award and the Jewish World Watch iWitness Award. Her other honours include the Madge Evans and Sidney Kingsley Award, the National Black Theatre Festival's August Wilson Playwriting Award, the 2005 Guggenheim Grant for Playwriting, the 2004 PEN/Laura Pels Award, and fellowships from the Lucille Lortel Foundation, the Manhattan Theatre Club, New Dramatists and New York Foundation for the Arts.She is a co-founder and producer at Market Road Films LLC, a film production company.

'Lynn Nottage has packed so much life, love and history into her panoramic memory play… No matter how pain-filled and obstacle-ridden this tale of the coming-of-age of an adolescent African-American girl in 1950s Brooklyn might be, what drives this play is the pervasive sense of life as a great and exhilarating feast – a cornucopia of passion, imagination, knowledge, experience and yes, confusion, too'