Daniel Myer-Dinkgrafe is head lecturer in Theatre, Film and Television Studies at the University of Aberystwyth. The relation of consciousness and performance represents his major research interest, documented by Conciousness and the Actor (Peter Lang, 1996).

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• Myths and merchants, Ioan Williams; bouncer, teacher, doctor -the gentrification of Godber? John Bennett; "Look to the Moat in Your Own Eye" - criticising the critic in the theatre of Tom Stoppard, Douglas Wood; theatricality and madness - minding the mind-doctors, Tim Shields; carry on Welfare State - Orton, Nichols, and the National Health, Peter Buse; staging textual seropositivity in contemporary British theatre, Marcia Blumberg; the depiction of the artist in David Storey's life class - the play as a visual art, Stephen DiBenedetto; self-referral in drama and society, Daniel Meyer-Dinkgrafe; Wittgenstein and morality - the playwright's purpose, Dic Edwards.

Daniel Myer-Dinkgrafe is head lecturer in Theatre, Film and Television Studies at the University of Aberystwyth. The relation of consciousness and performance represents his major research interest, documented by Conciousness and the Actor (Peter Lang, 1996).

Select Guide Rating

• Myths and merchants, Ioan Williams; bouncer, teacher, doctor -the gentrification of Godber? John Bennett; "Look to the Moat in Your Own Eye" - criticising the critic in the theatre of Tom Stoppard, Douglas Wood; theatricality and madness - minding the mind-doctors, Tim Shields; carry on Welfare State - Orton, Nichols, and the National Health, Peter Buse; staging textual seropositivity in contemporary British theatre, Marcia Blumberg; the depiction of the artist in David Storey's life class - the play as a visual art, Stephen DiBenedetto; self-referral in drama and society, Daniel Meyer-Dinkgrafe; Wittgenstein and morality - the playwright's purpose, Dic Edwards.

Daniel Myer-Dinkgrafe is head lecturer in Theatre, Film and Television Studies at the University of Aberystwyth. The relation of consciousness and performance represents his major research interest, documented by Conciousness and the Actor (Peter Lang, 1996).

Select Guide Rating

• Myths and merchants, Ioan Williams; bouncer, teacher, doctor -the gentrification of Godber? John Bennett; "Look to the Moat in Your Own Eye" - criticising the critic in the theatre of Tom Stoppard, Douglas Wood; theatricality and madness - minding the mind-doctors, Tim Shields; carry on Welfare State - Orton, Nichols, and the National Health, Peter Buse; staging textual seropositivity in contemporary British theatre, Marcia Blumberg; the depiction of the artist in David Storey's life class - the play as a visual art, Stephen DiBenedetto; self-referral in drama and society, Daniel Meyer-Dinkgrafe; Wittgenstein and morality - the playwright's purpose, Dic Edwards.