Rania Gaafar is currently researcher and PhD candidate at Goldsmiths, University of London. Martin Schulz is a Visiting Professor at Kunstakademie Karlsruhe.

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• Introduction Post-medial Technologies of Desire: Performances of Images – Rania Gaafar and Martin SchulzPrelude Much Trouble in the Transportation of Souls, or the Sudden Disorganization of Boundaries – Anselm FrankePART I: Post-Medial Image Cultures and New Media Philosophies 75Chapter 1: Technical Repetition and Digital Art, or Why the ‘Digital’ in Digital Cinema is not the ‘Digital’ in Digital Technics – Mark B. N. HansenChapter 2: Arrest and Movement – Timothy DruckreyChapter 3: The Aesthetics of Flow and the Aesthetics of Catharsis – Jay David BolterChapter 4: Digital Images and Computer Simulations – Barbara FlueckigerChapter 5: Enfolding-Unfolding Aesthetics, or the Unthought at the Heart of Wood – Laura U. MarksPART II: Fugitive Images and TransmedialityChapter 6: Animated and Animating Landscapes: Space Voyages and Time Travel in the Art of Pieter Bruegel the Elder – Martin SchulzChapter 7: Copernicus and I: Revolutions in Perception and The Powers of Ten – Janet HarbordChapter 8: Cinema Mise en abyme: Contingencies of the Moving Image – Ursula FrohneChapter 9: Still Life in the Crosshairs, or For an Iconic Turn in Game Studies – Thomas HenselChapter 10: Out of Image – Yvonne SpielmannPART III: Post-Cinematic Desires: Genealogies of Anthropomorphic Transgressions Chapter 11: Choreographing the Moving Image: Post-Cinematic Desire and the Politics of Aesthetics – Isaac JulienChapter 12: Desire, Time and Transition in Anthropological Film-making – Ute HollChapter 13: Longing in Film: Emotions in Images – Hinderk M. EmrichChapter 14: The Fever Curve of the Gaze and the Body as (Image) Medium: Jacques Lacan’s Media Theory of Unconscious Desire – Annette BitschPART IV: Material Specters and the Lives of ImagesChapter 15: The Sequence Image Between Motion and Stillness – Jens SchröterChapter 16: Gaze and Withdrawal: On the ‘Logic’ of Iconic Structures – Dieter MerschChapter 17: The Magical Image in Georges Méliès’s Cinema – Lorenz EngellChapter 18: Liminal Spaces: Notes by Film-maker and Artist Malcolm Le Grice – Malcolm LeGriceChapter 19: Transgression: The Ethical Turn and the New Politics – Fatih Akin’s Cinema and the Multicultural Dilemma – Thomas ElsaesserChapter 20: Radicant Spaces of Enunciation: Visual Art, ‘Phenomenotechnique’, and ‘Criticality’ – Towards a Postcolonial Media(l) Theory – Rania GaafarBiographies of Authors

Rania Gaafar is currently researcher and PhD candidate at Goldsmiths, University of London. Martin Schulz is a Visiting Professor at Kunstakademie Karlsruhe.

Select Guide Rating

• Introduction Post-medial Technologies of Desire: Performances of Images – Rania Gaafar and Martin SchulzPrelude Much Trouble in the Transportation of Souls, or the Sudden Disorganization of Boundaries – Anselm FrankePART I: Post-Medial Image Cultures and New Media Philosophies 75Chapter 1: Technical Repetition and Digital Art, or Why the ‘Digital’ in Digital Cinema is not the ‘Digital’ in Digital Technics – Mark B. N. HansenChapter 2: Arrest and Movement – Timothy DruckreyChapter 3: The Aesthetics of Flow and the Aesthetics of Catharsis – Jay David BolterChapter 4: Digital Images and Computer Simulations – Barbara FlueckigerChapter 5: Enfolding-Unfolding Aesthetics, or the Unthought at the Heart of Wood – Laura U. MarksPART II: Fugitive Images and TransmedialityChapter 6: Animated and Animating Landscapes: Space Voyages and Time Travel in the Art of Pieter Bruegel the Elder – Martin SchulzChapter 7: Copernicus and I: Revolutions in Perception and The Powers of Ten – Janet HarbordChapter 8: Cinema Mise en abyme: Contingencies of the Moving Image – Ursula FrohneChapter 9: Still Life in the Crosshairs, or For an Iconic Turn in Game Studies – Thomas HenselChapter 10: Out of Image – Yvonne SpielmannPART III: Post-Cinematic Desires: Genealogies of Anthropomorphic Transgressions Chapter 11: Choreographing the Moving Image: Post-Cinematic Desire and the Politics of Aesthetics – Isaac JulienChapter 12: Desire, Time and Transition in Anthropological Film-making – Ute HollChapter 13: Longing in Film: Emotions in Images – Hinderk M. EmrichChapter 14: The Fever Curve of the Gaze and the Body as (Image) Medium: Jacques Lacan’s Media Theory of Unconscious Desire – Annette BitschPART IV: Material Specters and the Lives of ImagesChapter 15: The Sequence Image Between Motion and Stillness – Jens SchröterChapter 16: Gaze and Withdrawal: On the ‘Logic’ of Iconic Structures – Dieter MerschChapter 17: The Magical Image in Georges Méliès’s Cinema – Lorenz EngellChapter 18: Liminal Spaces: Notes by Film-maker and Artist Malcolm Le Grice – Malcolm LeGriceChapter 19: Transgression: The Ethical Turn and the New Politics – Fatih Akin’s Cinema and the Multicultural Dilemma – Thomas ElsaesserChapter 20: Radicant Spaces of Enunciation: Visual Art, ‘Phenomenotechnique’, and ‘Criticality’ – Towards a Postcolonial Media(l) Theory – Rania GaafarBiographies of Authors

Rania Gaafar is currently researcher and PhD candidate at Goldsmiths, University of London. Martin Schulz is a Visiting Professor at Kunstakademie Karlsruhe.

Select Guide Rating

• Introduction Post-medial Technologies of Desire: Performances of Images – Rania Gaafar and Martin SchulzPrelude Much Trouble in the Transportation of Souls, or the Sudden Disorganization of Boundaries – Anselm FrankePART I: Post-Medial Image Cultures and New Media Philosophies 75Chapter 1: Technical Repetition and Digital Art, or Why the ‘Digital’ in Digital Cinema is not the ‘Digital’ in Digital Technics – Mark B. N. HansenChapter 2: Arrest and Movement – Timothy DruckreyChapter 3: The Aesthetics of Flow and the Aesthetics of Catharsis – Jay David BolterChapter 4: Digital Images and Computer Simulations – Barbara FlueckigerChapter 5: Enfolding-Unfolding Aesthetics, or the Unthought at the Heart of Wood – Laura U. MarksPART II: Fugitive Images and TransmedialityChapter 6: Animated and Animating Landscapes: Space Voyages and Time Travel in the Art of Pieter Bruegel the Elder – Martin SchulzChapter 7: Copernicus and I: Revolutions in Perception and The Powers of Ten – Janet HarbordChapter 8: Cinema Mise en abyme: Contingencies of the Moving Image – Ursula FrohneChapter 9: Still Life in the Crosshairs, or For an Iconic Turn in Game Studies – Thomas HenselChapter 10: Out of Image – Yvonne SpielmannPART III: Post-Cinematic Desires: Genealogies of Anthropomorphic Transgressions Chapter 11: Choreographing the Moving Image: Post-Cinematic Desire and the Politics of Aesthetics – Isaac JulienChapter 12: Desire, Time and Transition in Anthropological Film-making – Ute HollChapter 13: Longing in Film: Emotions in Images – Hinderk M. EmrichChapter 14: The Fever Curve of the Gaze and the Body as (Image) Medium: Jacques Lacan’s Media Theory of Unconscious Desire – Annette BitschPART IV: Material Specters and the Lives of ImagesChapter 15: The Sequence Image Between Motion and Stillness – Jens SchröterChapter 16: Gaze and Withdrawal: On the ‘Logic’ of Iconic Structures – Dieter MerschChapter 17: The Magical Image in Georges Méliès’s Cinema – Lorenz EngellChapter 18: Liminal Spaces: Notes by Film-maker and Artist Malcolm Le Grice – Malcolm LeGriceChapter 19: Transgression: The Ethical Turn and the New Politics – Fatih Akin’s Cinema and the Multicultural Dilemma – Thomas ElsaesserChapter 20: Radicant Spaces of Enunciation: Visual Art, ‘Phenomenotechnique’, and ‘Criticality’ – Towards a Postcolonial Media(l) Theory – Rania GaafarBiographies of Authors