Jez Conolly is the author of Beached Margin: The Role and Representation of the Seaside Resort in British Films and a regular contributor to the Big Picture magazine.Caroline Whelan is a freelance writer and researcher.

'The World Film Locations series wends its way to the Irish capital, painting a multi-angle portrait via 46 synopses of scenes shot or set in Dublin. There's even timecode references, should you wish to track down the relevant scene in Becoming Jane.' – Total Film

• Maps/Scenes Scenes 1-8 – 1959-1988Scenes 9-16 – 1989-1996Scenes 17-24 – 1996-2000Scenes 25-32 – 2000-2003Scenes 33-39 – 2004-2006Scenes 40-46 – 2006-2011Essays Dublin: City of the Imagination – Jez Conolly and Caroline WhelanThe Graft on Grafton: Dublin's Music On-screen – Nicola BalkindMount Rushmore on the Liffey: Four Faces of Dublin – Jez Conolly and Caroline WhelanDublin: A Stage for Revolution? – Adam O’BrienUrban Visions and Cinematic Modernities: Literary Dublin On-screen – Colm McAuliffeCraicing the Safe: The Gangster Figure in Dublin Cinema – Clair SchwarzMiddle-Class and Proud of It? Representations of Dublin During the Celtic Tiger Era – Stephen Boyd

Jez Conolly is the author of Beached Margin: The Role and Representation of the Seaside Resort in British Films and a regular contributor to the Big Picture magazine.Caroline Whelan is a freelance writer and researcher.

'The World Film Locations series wends its way to the Irish capital, painting a multi-angle portrait via 46 synopses of scenes shot or set in Dublin. There's even timecode references, should you wish to track down the relevant scene in Becoming Jane.' – Total Film

• Maps/Scenes Scenes 1-8 – 1959-1988Scenes 9-16 – 1989-1996Scenes 17-24 – 1996-2000Scenes 25-32 – 2000-2003Scenes 33-39 – 2004-2006Scenes 40-46 – 2006-2011Essays Dublin: City of the Imagination – Jez Conolly and Caroline WhelanThe Graft on Grafton: Dublin's Music On-screen – Nicola BalkindMount Rushmore on the Liffey: Four Faces of Dublin – Jez Conolly and Caroline WhelanDublin: A Stage for Revolution? – Adam O’BrienUrban Visions and Cinematic Modernities: Literary Dublin On-screen – Colm McAuliffeCraicing the Safe: The Gangster Figure in Dublin Cinema – Clair SchwarzMiddle-Class and Proud of It? Representations of Dublin During the Celtic Tiger Era – Stephen Boyd

Jez Conolly is the author of Beached Margin: The Role and Representation of the Seaside Resort in British Films and a regular contributor to the Big Picture magazine.Caroline Whelan is a freelance writer and researcher.

'The World Film Locations series wends its way to the Irish capital, painting a multi-angle portrait via 46 synopses of scenes shot or set in Dublin. There's even timecode references, should you wish to track down the relevant scene in Becoming Jane.' – Total Film

• Maps/Scenes Scenes 1-8 – 1959-1988Scenes 9-16 – 1989-1996Scenes 17-24 – 1996-2000Scenes 25-32 – 2000-2003Scenes 33-39 – 2004-2006Scenes 40-46 – 2006-2011Essays Dublin: City of the Imagination – Jez Conolly and Caroline WhelanThe Graft on Grafton: Dublin's Music On-screen – Nicola BalkindMount Rushmore on the Liffey: Four Faces of Dublin – Jez Conolly and Caroline WhelanDublin: A Stage for Revolution? – Adam O’BrienUrban Visions and Cinematic Modernities: Literary Dublin On-screen – Colm McAuliffeCraicing the Safe: The Gangster Figure in Dublin Cinema – Clair SchwarzMiddle-Class and Proud of It? Representations of Dublin During the Celtic Tiger Era – Stephen Boyd