Hanne-Lovise Skartveit is a researcher and filmmaker with particular interest in documentary forms across media, including games and new media.

• PrefaceJack LohmanReframing Difference: Museums, Cross-cultural Communication and the Representation of RefugeesSam JonesIntroduction: Expanding the Concept of ParticipationKatherine GoodnowSECTION I: FILM AND VIDEOChapter 1. Dislocations: Participatory Media with Refugees in Malta and IrelandAnthony HaugheyChapter 2. Envisioning the Return: Participatory Video for Voluntary Repatriation and Sustainable ReintegrationMelissa Brough and Charles Otieno-HongoSECTION II: ORAL HISTORY AND DATABASESChapter 3. Refugee Stories: The Refugee Communities History Project, Partnership and CollaborationAnnette Day, Jenny Harding and Jessica MullenChapter 4. Reconciling History and Memory at the Cité Nationale de l’Histoire de l’ImmigrationSaphinaz-Amal NaguibSECTION III: GAMES AND INTERACTIVESChapter 5. Playing Refugees: Escape from Woomera and AsylspeletHanne-Lovise SkartveitChapter 6. Technically Speaking: Digital Representations of Refugee Experiences at Melbourne’s Immigration MuseumMoya McFadzeanChapter 7. Bordergames: Networking, Games and Young MigrantsThe Bordergames CollectiveChapter 8. A Taste of Life as a Refugee: How Serious Games Frame Refugee IssuesJoost RaessensSECTION IV: FINAL COMMENTS ON PARTICIPATORY PRACTICEChapter 9. Performance in Place of War: Refugee Artists and Communities in the U.K.Alison JeffersChapter 10. Museums, New Media and Community ParticipationKatherine GoodnowNotes on contributorsIndex

Hanne-Lovise Skartveit is a researcher and filmmaker with particular interest in documentary forms across media, including games and new media.

• PrefaceJack LohmanReframing Difference: Museums, Cross-cultural Communication and the Representation of RefugeesSam JonesIntroduction: Expanding the Concept of ParticipationKatherine GoodnowSECTION I: FILM AND VIDEOChapter 1. Dislocations: Participatory Media with Refugees in Malta and IrelandAnthony HaugheyChapter 2. Envisioning the Return: Participatory Video for Voluntary Repatriation and Sustainable ReintegrationMelissa Brough and Charles Otieno-HongoSECTION II: ORAL HISTORY AND DATABASESChapter 3. Refugee Stories: The Refugee Communities History Project, Partnership and CollaborationAnnette Day, Jenny Harding and Jessica MullenChapter 4. Reconciling History and Memory at the Cité Nationale de l’Histoire de l’ImmigrationSaphinaz-Amal NaguibSECTION III: GAMES AND INTERACTIVESChapter 5. Playing Refugees: Escape from Woomera and AsylspeletHanne-Lovise SkartveitChapter 6. Technically Speaking: Digital Representations of Refugee Experiences at Melbourne’s Immigration MuseumMoya McFadzeanChapter 7. Bordergames: Networking, Games and Young MigrantsThe Bordergames CollectiveChapter 8. A Taste of Life as a Refugee: How Serious Games Frame Refugee IssuesJoost RaessensSECTION IV: FINAL COMMENTS ON PARTICIPATORY PRACTICEChapter 9. Performance in Place of War: Refugee Artists and Communities in the U.K.Alison JeffersChapter 10. Museums, New Media and Community ParticipationKatherine GoodnowNotes on contributorsIndex

Hanne-Lovise Skartveit is a researcher and filmmaker with particular interest in documentary forms across media, including games and new media.

• PrefaceJack LohmanReframing Difference: Museums, Cross-cultural Communication and the Representation of RefugeesSam JonesIntroduction: Expanding the Concept of ParticipationKatherine GoodnowSECTION I: FILM AND VIDEOChapter 1. Dislocations: Participatory Media with Refugees in Malta and IrelandAnthony HaugheyChapter 2. Envisioning the Return: Participatory Video for Voluntary Repatriation and Sustainable ReintegrationMelissa Brough and Charles Otieno-HongoSECTION II: ORAL HISTORY AND DATABASESChapter 3. Refugee Stories: The Refugee Communities History Project, Partnership and CollaborationAnnette Day, Jenny Harding and Jessica MullenChapter 4. Reconciling History and Memory at the Cité Nationale de l’Histoire de l’ImmigrationSaphinaz-Amal NaguibSECTION III: GAMES AND INTERACTIVESChapter 5. Playing Refugees: Escape from Woomera and AsylspeletHanne-Lovise SkartveitChapter 6. Technically Speaking: Digital Representations of Refugee Experiences at Melbourne’s Immigration MuseumMoya McFadzeanChapter 7. Bordergames: Networking, Games and Young MigrantsThe Bordergames CollectiveChapter 8. A Taste of Life as a Refugee: How Serious Games Frame Refugee IssuesJoost RaessensSECTION IV: FINAL COMMENTS ON PARTICIPATORY PRACTICEChapter 9. Performance in Place of War: Refugee Artists and Communities in the U.K.Alison JeffersChapter 10. Museums, New Media and Community ParticipationKatherine GoodnowNotes on contributorsIndex