Anthony G. Reddie is a Research Fellow at the Queen's Foundation for Ecumenical Theological Education, in Birmingham, and a Consultant in Black Theological Studies for the British Methodist Church. He is presently the editor of Black Theology: An International Journal. Dr. Reddie is the author of Growing into Hope [Vols. 1 & 2], (M.P.H. 1998) the first Black African-centred work in Christian Education in Europe. His other credits include Legacy: Anthology in Memory of Jillian Brown (M.P.H. 2000), Faith Stories and the Experience of Black Elders (Jessica Kingsley, 2001), Nobodies to Somebodies (Epworth, 2003), Acting in Solidarity: Reflections in Critical Christianity (Darton, Longman and Todd, 2005), Inside Out, Outside In: Black theology in Transatlantic Dialogue (Palgrave, 2006) and Black Religion and Black Theology in Britain: A Reader (co-edited with Michael N. Jagessar (Equinox, 2007).

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• Act One - Setting the Scene Chapter 1: A Voice for the Voiceless: Setting the Context and Background for this Work Act Two - Outlining the Drama Chapter 2: Getting All Dramatic: The Development of Christian Drama Chapter 3: Welcome to the Party: Christian Drama meets Black Theology Act Three - Detailing the Denouement Chapter 4: What Lies behind the Facade?: Developing an Underlying Method for Bringing Drama and Black Theology Together Chapter 5: Theology from the Bottom up: Developing an Inclusive Methodology for Engaging with the Voiceless Chapter 6: Practical Applications for 'A Process of Dramatizing Theologies' Appendix A: Template for Assessing Our Gifts and Graces Appendix B

Anthony G. Reddie is a Research Fellow at the Queen's Foundation for Ecumenical Theological Education, in Birmingham, and a Consultant in Black Theological Studies for the British Methodist Church. He is presently the editor of Black Theology: An International Journal. Dr. Reddie is the author of Growing into Hope [Vols. 1 & 2], (M.P.H. 1998) the first Black African-centred work in Christian Education in Europe. His other credits include Legacy: Anthology in Memory of Jillian Brown (M.P.H. 2000), Faith Stories and the Experience of Black Elders (Jessica Kingsley, 2001), Nobodies to Somebodies (Epworth, 2003), Acting in Solidarity: Reflections in Critical Christianity (Darton, Longman and Todd, 2005), Inside Out, Outside In: Black theology in Transatlantic Dialogue (Palgrave, 2006) and Black Religion and Black Theology in Britain: A Reader (co-edited with Michael N. Jagessar (Equinox, 2007).

Select Guide Rating

• Act One - Setting the Scene Chapter 1: A Voice for the Voiceless: Setting the Context and Background for this Work Act Two - Outlining the Drama Chapter 2: Getting All Dramatic: The Development of Christian Drama Chapter 3: Welcome to the Party: Christian Drama meets Black Theology Act Three - Detailing the Denouement Chapter 4: What Lies behind the Facade?: Developing an Underlying Method for Bringing Drama and Black Theology Together Chapter 5: Theology from the Bottom up: Developing an Inclusive Methodology for Engaging with the Voiceless Chapter 6: Practical Applications for 'A Process of Dramatizing Theologies' Appendix A: Template for Assessing Our Gifts and Graces Appendix B

Anthony G. Reddie is a Research Fellow at the Queen's Foundation for Ecumenical Theological Education, in Birmingham, and a Consultant in Black Theological Studies for the British Methodist Church. He is presently the editor of Black Theology: An International Journal. Dr. Reddie is the author of Growing into Hope [Vols. 1 & 2], (M.P.H. 1998) the first Black African-centred work in Christian Education in Europe. His other credits include Legacy: Anthology in Memory of Jillian Brown (M.P.H. 2000), Faith Stories and the Experience of Black Elders (Jessica Kingsley, 2001), Nobodies to Somebodies (Epworth, 2003), Acting in Solidarity: Reflections in Critical Christianity (Darton, Longman and Todd, 2005), Inside Out, Outside In: Black theology in Transatlantic Dialogue (Palgrave, 2006) and Black Religion and Black Theology in Britain: A Reader (co-edited with Michael N. Jagessar (Equinox, 2007).

Select Guide Rating

• Act One - Setting the Scene Chapter 1: A Voice for the Voiceless: Setting the Context and Background for this Work Act Two - Outlining the Drama Chapter 2: Getting All Dramatic: The Development of Christian Drama Chapter 3: Welcome to the Party: Christian Drama meets Black Theology Act Three - Detailing the Denouement Chapter 4: What Lies behind the Facade?: Developing an Underlying Method for Bringing Drama and Black Theology Together Chapter 5: Theology from the Bottom up: Developing an Inclusive Methodology for Engaging with the Voiceless Chapter 6: Practical Applications for 'A Process of Dramatizing Theologies' Appendix A: Template for Assessing Our Gifts and Graces Appendix B