Essays in English by French, Irish and German academics, which explore the relevance and interest of the tragic theatre today of the French dramatist, Jean Racine (1639-99).
"Caldicott and Conroy are to be congratulated on a volume which, powerfully, offers its readers the pleasure of further exploration in the universe of Racine." PFSCL XXIX, 57 2002 "Exceptional!" Today's Books Jan 2002
Innehållsförteckning
The Racinian hero and the classical theory of characterization, Georges Forestier; Racine's use of maxims, Jean-Louis Backes; women and power in "Britannicus" and "Berenice": the battle of blood and tears, Christian Biet; gender, power and authority in "Alexandre le Grand" and "Athalie", Derval Conroy; constructions of identity: mirrors of the "Other" in Racine's theatre, Jane Conroy; Racine's "Jacobite" plays: the politics of the Bible, Edric Caldicott; les freres ennemis: Racine, Moliere, and "la querelle du theatre", Robert McBride; Voltaire, women and reception: Racine in the 18th century, Marc Serge Riviere; pleasure in Racine, Louis van Delft; the magic and pleasure of "Berenice" today, Jean-Michel Delacomptee; Esther: prototype of an oratorio? The collaboration of Racine and Jean-Baptiste Moreau, Susanne Hartwig and Berthold Warnecke; Moreau as teacher: the impact of his vocation on the composition of "Esther", Grainne Gormley; Racine and the three vanities, Alain Viala.
