VLADIMIR MAYAKOVSKY was born in April 1893 in Georgia, but moved with his family to Moscow in 1906 after the premature death of his father. In Moscow, he became involved in the activities of the Russian Social Democratic Labour Party (the Bolsheviks) and was imprisoned on three occasion for subversive political activities, although he avoided transportation because he was so young. In 1911, he joined the Moscow Art School where he became acquainted with members of the Russian Futurist movement - it was in the Futurist publication, 'A Slap in the Face of Public Taste' (1912), that his first poems were published - although he was expelled from the Art School in 1914 because of his political activities. His reputation as a poet, both in Russia and abroad, was established in the period leading up to the Russian Revolution, with his first major poem, 'A Cloud in Trousers', appearing in 1915, the same year in which he fell in love with his publisher's wife, Lily Brik. Rejected as a volunteer at the beginning of the First World War, Mayakovsky worked at the Petrograd Military Automobile School as a draughtsman, and was in Petrograd to witness the October Revolution. Moving back to Moscow, he worked for the Russian State Telegraph Agency (ROSTA), creating satirical Agitprop posters, and in 1919, he published his first full collection, Collected Works 1909-1919. Mayakovsky's popularity grew rapidly, both at home and abroad and, as one of the few Soviet writers allowed to travel freely, he visited Latvia, Britain, Germany, the USA, Mexico and Cuba, as well as travelling extensively in the Soviet Union itself. His influence on perceptions of poetry in early 20th century culture is hard to over-estimate. Towards the end of the 1920s, Mayakovsky became increasingly disillusioned with Stalin's leadership of the Soviet Union, as his satirical plays 'The Bedbug' (1929) and 'The Bathhouse' (1930) attest, and in April 1930, he shot himself. GEORGE HYDE (co-translator) was born in Scotland in 1941, son of an Army officer, and read English at Cambridge under the direction of F. R. Leavis, whose work on Tolstoy inspired him to learn Russian. Graduate work at Essex University with Donald Davie, who designed pioneering courses in comparative literature and literary translation, led to a teaching post at the University of East Anglia, where he helped Max Sebald set up the British Centre for Literary Translation. This was followed by a professorship at Kyoto Women's University, Japan, where he introduced comparative literature and culture courses. George Hyde also taught for four years at Polish universities in British Council funded posts during and after the communist period, and developed an interest in Polish theatre. Publications include a study of the Russian heritage of Vladimir Nabokov, two books on D. H. Lawrence, and literary translation from Russian and Polish, as well as numerous essays in the field of Modernism. While in Japan, George Hyde published a number of essays on the neglected Norwich writer George Borrow, which will form the basis of a monograph. In retirement, he is learning Greek and Japanese and has taken up the saxophone, and spends as much time as possible in his flat in Hania, Crete. LARISA MOLOTOVA-KOROLEVA, pen-name LARISA GUREYEVA (co-translator), was born in May 1950 in Moscow, the granddaughter of Vyacheslav M. Molotov-Skryabin, Prime Minister of the Soviet Union from 1930-1939, then Foreign Secretary from 1939-1949 and 1953-1956. She began studying English at the age of eight, and graduated in English Philology and Literature at Moscow State University, before writing a postgraduate dissertation on Jane Austen and Iris Murdoch. Her published work includes poetry ('The Stone Garden', Moscow, 2001) and numerous translations of poetry, fiction, history and memoires. Her translation of 'Love Story' (Moscow, 1990) went through three editions. At the time of publication, she is involved in a new publishing project, 'Dolinskaya Storona', which deals with the history of Vyatka (formerly Kirov), the Russian region close to the Urals. She is specialising in research on several dynasties of 18th and 19th century merchant families there. Since 1979 she has been a member of the Moscow Writers' Committee, and she has been vice-chairperson of its poetry section since 1994. In February 1991, and again in April 1994, she visited the British Centre for Literary Translation (Norwich) as a recipient of bursaries. Larisa Gureyeva's other interests include modern art (especially the Pre-Raphaelites, Art Nouveau, Jugendstil, and the Symbolists) and music. She is married to Sergei Korolev, a prominent heart surgeon. JOHN WAKEMAN (introducer) has published two poetry collections, 'A Sea Family: New and Selected Poems' (Bradshaw Books, 2005) and 'A Room for Doubt', and his poems have appeared in many journals and anthologies. He co-founded, and for twelve years co-edited, the UK poetry magazine 'The Rialto'. Moving to Ireland, he founded 'The Shop - A Magazine of Poetry' which he now co-edits with his wife Hilary. He has edited major reference books on contemporary world literature and on world film directors, and has also published stories, essays and reviews and given radio talks on the BBC and RTE.

• 'Vladimir Mayakovsky and That's What ' Introduction by John Wakeman; 'Translating Mayakovsky's That's What' Preface by George Hyde; What's This? - That's What (pp 22-3); I. The Ballad of Reading Gaol (pp. 28-29); II. Christmas Eve (pp 66-67); Application on behalf of... (Please, comraade chemist, fill it in yourself) (pp 140-141); Notes (p 164); Biographical Notes (p 168) PHOTOMONTAGES BY ALEXANDER RODCHENKO Untitled (p 6); She lies / in bed. / While he... / On the table is a telephone.(p.31); from the cable / crawled - / scratching jealously - / a monster from troglodytic / times. (p 47); I paw at / my ears / kneading uselessly. / I hear / my own / my very own voice. / The knife / of this voice bores through / my paws. (p 61); So it ever was / And ever shall be / World without end. / The old mare / of the daily grind / canters on serenely. (p 91); And again / the walls / baked hot like the steppe / echo / and sigh / in your ears, in the two-step. (p 113); I catch my balance / waving frantically. (p 131); Four times I try - / four times / resuscitated (p 147); She too / - she used to like animals - / will come to the Public Gardens (p 159); Untitled (p 162); Untitled (p 163)

VLADIMIR MAYAKOVSKY was born in April 1893 in Georgia, but moved with his family to Moscow in 1906 after the premature death of his father. In Moscow, he became involved in the activities of the Russian Social Democratic Labour Party (the Bolsheviks) and was imprisoned on three occasion for subversive political activities, although he avoided transportation because he was so young. In 1911, he joined the Moscow Art School where he became acquainted with members of the Russian Futurist movement - it was in the Futurist publication, 'A Slap in the Face of Public Taste' (1912), that his first poems were published - although he was expelled from the Art School in 1914 because of his political activities. His reputation as a poet, both in Russia and abroad, was established in the period leading up to the Russian Revolution, with his first major poem, 'A Cloud in Trousers', appearing in 1915, the same year in which he fell in love with his publisher's wife, Lily Brik. Rejected as a volunteer at the beginning of the First World War, Mayakovsky worked at the Petrograd Military Automobile School as a draughtsman, and was in Petrograd to witness the October Revolution. Moving back to Moscow, he worked for the Russian State Telegraph Agency (ROSTA), creating satirical Agitprop posters, and in 1919, he published his first full collection, Collected Works 1909-1919. Mayakovsky's popularity grew rapidly, both at home and abroad and, as one of the few Soviet writers allowed to travel freely, he visited Latvia, Britain, Germany, the USA, Mexico and Cuba, as well as travelling extensively in the Soviet Union itself. His influence on perceptions of poetry in early 20th century culture is hard to over-estimate. Towards the end of the 1920s, Mayakovsky became increasingly disillusioned with Stalin's leadership of the Soviet Union, as his satirical plays 'The Bedbug' (1929) and 'The Bathhouse' (1930) attest, and in April 1930, he shot himself. GEORGE HYDE (co-translator) was born in Scotland in 1941, son of an Army officer, and read English at Cambridge under the direction of F. R. Leavis, whose work on Tolstoy inspired him to learn Russian. Graduate work at Essex University with Donald Davie, who designed pioneering courses in comparative literature and literary translation, led to a teaching post at the University of East Anglia, where he helped Max Sebald set up the British Centre for Literary Translation. This was followed by a professorship at Kyoto Women's University, Japan, where he introduced comparative literature and culture courses. George Hyde also taught for four years at Polish universities in British Council funded posts during and after the communist period, and developed an interest in Polish theatre. Publications include a study of the Russian heritage of Vladimir Nabokov, two books on D. H. Lawrence, and literary translation from Russian and Polish, as well as numerous essays in the field of Modernism. While in Japan, George Hyde published a number of essays on the neglected Norwich writer George Borrow, which will form the basis of a monograph. In retirement, he is learning Greek and Japanese and has taken up the saxophone, and spends as much time as possible in his flat in Hania, Crete. LARISA MOLOTOVA-KOROLEVA, pen-name LARISA GUREYEVA (co-translator), was born in May 1950 in Moscow, the granddaughter of Vyacheslav M. Molotov-Skryabin, Prime Minister of the Soviet Union from 1930-1939, then Foreign Secretary from 1939-1949 and 1953-1956. She began studying English at the age of eight, and graduated in English Philology and Literature at Moscow State University, before writing a postgraduate dissertation on Jane Austen and Iris Murdoch. Her published work includes poetry ('The Stone Garden', Moscow, 2001) and numerous translations of poetry, fiction, history and memoires. Her translation of 'Love Story' (Moscow, 1990) went through three editions. At the time of publication, she is involved in a new publishing project, 'Dolinskaya Storona', which deals with the history of Vyatka (formerly Kirov), the Russian region close to the Urals. She is specialising in research on several dynasties of 18th and 19th century merchant families there. Since 1979 she has been a member of the Moscow Writers' Committee, and she has been vice-chairperson of its poetry section since 1994. In February 1991, and again in April 1994, she visited the British Centre for Literary Translation (Norwich) as a recipient of bursaries. Larisa Gureyeva's other interests include modern art (especially the Pre-Raphaelites, Art Nouveau, Jugendstil, and the Symbolists) and music. She is married to Sergei Korolev, a prominent heart surgeon. JOHN WAKEMAN (introducer) has published two poetry collections, 'A Sea Family: New and Selected Poems' (Bradshaw Books, 2005) and 'A Room for Doubt', and his poems have appeared in many journals and anthologies. He co-founded, and for twelve years co-edited, the UK poetry magazine 'The Rialto'. Moving to Ireland, he founded 'The Shop - A Magazine of Poetry' which he now co-edits with his wife Hilary. He has edited major reference books on contemporary world literature and on world film directors, and has also published stories, essays and reviews and given radio talks on the BBC and RTE.

• 'Vladimir Mayakovsky and That's What ' Introduction by John Wakeman; 'Translating Mayakovsky's That's What' Preface by George Hyde; What's This? - That's What (pp 22-3); I. The Ballad of Reading Gaol (pp. 28-29); II. Christmas Eve (pp 66-67); Application on behalf of... (Please, comraade chemist, fill it in yourself) (pp 140-141); Notes (p 164); Biographical Notes (p 168) PHOTOMONTAGES BY ALEXANDER RODCHENKO Untitled (p 6); She lies / in bed. / While he... / On the table is a telephone.(p.31); from the cable / crawled - / scratching jealously - / a monster from troglodytic / times. (p 47); I paw at / my ears / kneading uselessly. / I hear / my own / my very own voice. / The knife / of this voice bores through / my paws. (p 61); So it ever was / And ever shall be / World without end. / The old mare / of the daily grind / canters on serenely. (p 91); And again / the walls / baked hot like the steppe / echo / and sigh / in your ears, in the two-step. (p 113); I catch my balance / waving frantically. (p 131); Four times I try - / four times / resuscitated (p 147); She too / - she used to like animals - / will come to the Public Gardens (p 159); Untitled (p 162); Untitled (p 163)