Philip Ford is Professor of French Literature and neo-Latin in the University of Cambridge. Roger Green was for long Professor of Humanity (Latin) at the University of Glasgow.

• Buchanans poetic achievement (Philip Ford); Redundant epithets in Buchanans Pastorals (Robert Cummings) Literary metamorphosis in Buchanans De Sphaera (Emma Gee); The writing of memory in George Buchanans Iusta (Nathalie Catellani-Dufrene); Homo exsul as the lyric persona in Buchanans Psalms (Elwira Buszewicz); The Heavens are Telling: a Psalm-paraphrase-poem analysed (Roger Green); The historical importance of Jean Servins settings of Buchanans Psalm Paraphrases (James Porter); Buchanans Psalms and the musical settings by Statius Olthof (Margaret Duncumb); Buchanans tragedies and contemporary dramatic theory (Giacomo Cardinali); Biblical inspiration in Buchanans tragedies (Carine Ferradou); Buchanan and the poetics of borrowing in the Latin translation of Euripides Medea (Jean-Frederic Chevalier); Translating Buchanan (Ronnie Jack); Drama out of the closet: Buchanan on stage (Jamie Reid Baxter); Return, Buchanan! The Letter of Walter Dennistoun to George Buchanan and Buchanans Reply (Jack MacQueen); Dry Bones of Contention? Picking apart Buchanans Psalms (Roger Green); George Buchanan's Half Millennium; (Robert Crawford)

Philip Ford is Professor of French Literature and neo-Latin in the University of Cambridge. Roger Green was for long Professor of Humanity (Latin) at the University of Glasgow.

• Buchanans poetic achievement (Philip Ford); Redundant epithets in Buchanans Pastorals (Robert Cummings) Literary metamorphosis in Buchanans De Sphaera (Emma Gee); The writing of memory in George Buchanans Iusta (Nathalie Catellani-Dufrene); Homo exsul as the lyric persona in Buchanans Psalms (Elwira Buszewicz); The Heavens are Telling: a Psalm-paraphrase-poem analysed (Roger Green); The historical importance of Jean Servins settings of Buchanans Psalm Paraphrases (James Porter); Buchanans Psalms and the musical settings by Statius Olthof (Margaret Duncumb); Buchanans tragedies and contemporary dramatic theory (Giacomo Cardinali); Biblical inspiration in Buchanans tragedies (Carine Ferradou); Buchanan and the poetics of borrowing in the Latin translation of Euripides Medea (Jean-Frederic Chevalier); Translating Buchanan (Ronnie Jack); Drama out of the closet: Buchanan on stage (Jamie Reid Baxter); Return, Buchanan! The Letter of Walter Dennistoun to George Buchanan and Buchanans Reply (Jack MacQueen); Dry Bones of Contention? Picking apart Buchanans Psalms (Roger Green); George Buchanan's Half Millennium; (Robert Crawford)