Philippa Holloway is a writer and academic, living in England but with her heart still at home in Wales. Her short fiction is published on four continents. She has won prizes in literary awards including the Fish Publishing Prize, The Scythe Prize, and the Writers & Artists Working Class Writer's Prize. She is co-editor of the collection 100 Words of Solitude: Global Voices in Lockdown 2020 (Rare Swan Press), and a senior lecturer at Staffordshire University. Twitter: @thejackdawspen

'A careful, tender and arresting story that explores how we're formed by the places we think we own - I was moved by this suspenseful and delicate novel.' Jenn Ashworth, author of Ghosted and Notes Made While Falling; 'Holloway has written a novel that shimmers with compassion, one that crosses borders of both nations and emotions. In telling the story of a mother's love for her son and an intimate, searing portrayal of survival set amidst the Ukrainian Maidan Revolution of 2014, the author has crafted a tale that will linger longer than the half-life of many other books you will read this year. Holloway's fascination with the intersection of where history meets everyday life has given us a story told with great skill, weaving together the legacy of Chernobyl and the tragedy of human arrogance. She gives us hope that each of us can act with grace and love even in the face of overwhelming disaster and a precarious world. Sadly for us, it is even more necessary for us to hear these stories today.' Alex Lockwood, author of The Chernobyl Privileges; 'I was drawn in and held until the final sentences ... a prescient, powerful and disturbing read.' Dr Phil Smith, psychogeographer; The Half-Life of Snails is that wonderful thing, a novel that can be read in several different ways. On the surface it is a gripping thriller, ripe for transfer to the big screen. But it also excels as an exploration of the geography of the human heart, which Holloway shows to be as difficult to navigate as the Chernobyl Exclusion Zone, for which there is no detailed and reliable map available.' Lunate; 'The author has crafted a beautiful yet unsettling story with a strong sense of place, accentuating the bond between humans and the landscapes they live in. The Half-Life Of Snails is a book to reflect on that will undoubtedly linger long after finishing.' Buzz; 'The Half-Life of Snails is a gripping story which speaks to a universal anxiety, not just about nuclear power, but about the environment as a whole. It explores the way we respond in crisis, and the things we hold onto most when everything seems under threat. More than that, it captures the genuine love of a family who, despite their flaws, care about one another deeply. A transformative read in a time of heightened complexity and division.' Wales Arts Review

Philippa Holloway is a writer and academic, living in England but with her heart still at home in Wales. Her short fiction is published on four continents. She has won prizes in literary awards including the Fish Publishing Prize, The Scythe Prize, and the Writers & Artists Working Class Writer's Prize. She is co-editor of the collection 100 Words of Solitude: Global Voices in Lockdown 2020 (Rare Swan Press), and a senior lecturer at Staffordshire University. Twitter: @thejackdawspen

'A careful, tender and arresting story that explores how we're formed by the places we think we own - I was moved by this suspenseful and delicate novel.' Jenn Ashworth, author of Ghosted and Notes Made While Falling; 'Holloway has written a novel that shimmers with compassion, one that crosses borders of both nations and emotions. In telling the story of a mother's love for her son and an intimate, searing portrayal of survival set amidst the Ukrainian Maidan Revolution of 2014, the author has crafted a tale that will linger longer than the half-life of many other books you will read this year. Holloway's fascination with the intersection of where history meets everyday life has given us a story told with great skill, weaving together the legacy of Chernobyl and the tragedy of human arrogance. She gives us hope that each of us can act with grace and love even in the face of overwhelming disaster and a precarious world. Sadly for us, it is even more necessary for us to hear these stories today.' Alex Lockwood, author of The Chernobyl Privileges; 'I was drawn in and held until the final sentences ... a prescient, powerful and disturbing read.' Dr Phil Smith, psychogeographer; The Half-Life of Snails is that wonderful thing, a novel that can be read in several different ways. On the surface it is a gripping thriller, ripe for transfer to the big screen. But it also excels as an exploration of the geography of the human heart, which Holloway shows to be as difficult to navigate as the Chernobyl Exclusion Zone, for which there is no detailed and reliable map available.' Lunate; 'The author has crafted a beautiful yet unsettling story with a strong sense of place, accentuating the bond between humans and the landscapes they live in. The Half-Life Of Snails is a book to reflect on that will undoubtedly linger long after finishing.' Buzz; 'The Half-Life of Snails is a gripping story which speaks to a universal anxiety, not just about nuclear power, but about the environment as a whole. It explores the way we respond in crisis, and the things we hold onto most when everything seems under threat. More than that, it captures the genuine love of a family who, despite their flaws, care about one another deeply. A transformative read in a time of heightened complexity and division.' Wales Arts Review

Philippa Holloway is a writer and academic, living in England but with her heart still at home in Wales. Her short fiction is published on four continents. She has won prizes in literary awards including the Fish Publishing Prize, The Scythe Prize, and the Writers & Artists Working Class Writer's Prize. She is co-editor of the collection 100 Words of Solitude: Global Voices in Lockdown 2020 (Rare Swan Press), and a senior lecturer at Staffordshire University. Twitter: @thejackdawspen

'A careful, tender and arresting story that explores how we're formed by the places we think we own - I was moved by this suspenseful and delicate novel.' Jenn Ashworth, author of Ghosted and Notes Made While Falling; 'Holloway has written a novel that shimmers with compassion, one that crosses borders of both nations and emotions. In telling the story of a mother's love for her son and an intimate, searing portrayal of survival set amidst the Ukrainian Maidan Revolution of 2014, the author has crafted a tale that will linger longer than the half-life of many other books you will read this year. Holloway's fascination with the intersection of where history meets everyday life has given us a story told with great skill, weaving together the legacy of Chernobyl and the tragedy of human arrogance. She gives us hope that each of us can act with grace and love even in the face of overwhelming disaster and a precarious world. Sadly for us, it is even more necessary for us to hear these stories today.' Alex Lockwood, author of The Chernobyl Privileges; 'I was drawn in and held until the final sentences ... a prescient, powerful and disturbing read.' Dr Phil Smith, psychogeographer; The Half-Life of Snails is that wonderful thing, a novel that can be read in several different ways. On the surface it is a gripping thriller, ripe for transfer to the big screen. But it also excels as an exploration of the geography of the human heart, which Holloway shows to be as difficult to navigate as the Chernobyl Exclusion Zone, for which there is no detailed and reliable map available.' Lunate; 'The author has crafted a beautiful yet unsettling story with a strong sense of place, accentuating the bond between humans and the landscapes they live in. The Half-Life Of Snails is a book to reflect on that will undoubtedly linger long after finishing.' Buzz; 'The Half-Life of Snails is a gripping story which speaks to a universal anxiety, not just about nuclear power, but about the environment as a whole. It explores the way we respond in crisis, and the things we hold onto most when everything seems under threat. More than that, it captures the genuine love of a family who, despite their flaws, care about one another deeply. A transformative read in a time of heightened complexity and division.' Wales Arts Review